MICHELE TOSINI, CALLED MICHELE DI RIDOLFO DEL GHIRLANDAIO | MADONNA AND CHILD WITH ST. JOHN THE BAPTIST
MICHELE TOSINI, CALLED MICHELE DI RIDOLFO DEL GHIRLANDAIO | MADONNA AND CHILD WITH ST. JOHN THE BAPTIST
MICHELE TOSINI, CALLED MICHELE DI RIDOLFO DEL GHIRLANDAIO | MADONNA AND CHILD WITH ST. JOHN THE BAPTIST
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MICHELE TOSINI, CALLED MICHELE DI RIDOLFO DEL GHIRLANDAIO | MADONNA AND CHILD WITH ST. JOHN THE BAPTIST

Estimate: 60,000 - 80,000 USD

MICHELE TOSINI, CALLED MICHELE DI RIDOLFO DEL GHIRLANDAIO | MADONNA AND CHILD WITH ST. JOHN THE BAPTIST

Estimate: 60,000 - 80,000 USD

Lot Sold:75,000USD

Lot Details

Description

Property from a Private Collection

MICHELE TOSINI, CALLED MICHELE DI RIDOLFO DEL GHIRLANDAIO

(Florence 1503 - 1577)

MADONNA AND CHILD WITH ST. JOHN THE BAPTIST


oil on panel

33 by 26¾ in.; 83.8 by 67.9 cm.

Condition Report

The panel is slightly convex and is backed with a board covered in canvas to stabilize it in its frame. A colorful image reads well and the paint surface is relatively well preserved. Thin craquelure is visible in Mary’s skirt but is stable. 3 small points of loss are visible at St. John’s knee and one point between Jesus’ legs, though none are distracting. An inconsistency in the paint texture and coloration about 6 inches long in the area of Mary’s torso is likely an old repair. Under UV inspection, the varnish appears milky and the aforementioned area and some folds in Mary’s skirt fluoresce unevenly. A second area of restoration, also about 6 inches in length, is visible in the landscape at right. A few lines of retouching are visible in St. John’s hair. Offered in a decoratively carved gilt wood frame with black inner liner, which has a small loss on the top edge.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Cataloguing

Provenance

Norton Galleries, before 1955;

Where purchased by Walter P. Chrysler, Jr., Norfolk, 1955;

His sale, New York, Sotheby's, 1 June 1989, lot 19;

Where acquired by Heidi Chin;

By whom sold, New York, Sotheby's, 28 January 2000, lot 14;

Where acquired.

Exhibited

On long-term loan to the Chrysler Museum, Norfolk, VA, August 1973 - 1989

Literature

J.C. Harrison, "Italian Art - Fourteenth to Sixteenth Century," in The Chrysler Museum Gallery Guide, Norfolk 1987, p. 4, no. 7, reproduced.

Catalogue Note

Tosini's adopted name derives from the fact that he both trained and collaborated with Ridolfo Ghirlandaio in Florence. He later worked alongside Giorgio Vasari on the frescoes of the Salone dei Cinquecento in the Palazzo Vecchio. Tosini's version of Florentine mannerism, seen here in the exaggerated poses and musculature of the children, was popular among patrons. Walter P. Chrysler, Jr. was a passionate collector of fine and decorative arts, and had several important 16th- and 17th-century Italian paintings in his collection, including the present lot.

Master Paintings
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