GERVASIO GATTI | PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
GERVASIO GATTI | PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
GERVASIO GATTI | PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
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GERVASIO GATTI | PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH

Estimate: 30,000 - 50,000 USD

GERVASIO GATTI | PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH

Estimate: 30,000 - 50,000 USD

Lot Details

Description

GERVASIO GATTI

(Cremona 1549-1631)

PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH


oil on canvas

26½ by 21½ in.; 67.5 by 54.7 cm.

Condition Report

The canvas is wax lined and appears to have a newer strip lining. A striking portrait image reads very well with the fine lace of the collar preserved. A thin line of frame abrasion is visible at the left and right edges where the edge of the canvas is visible. No other losses are visible to the naked eye. Under UV inspection, the varnish fluoresces unevenly and retouching to address the aforementioned frame abrasion is visible. Very small dots of retouching are scattered throughout with one concentrated area in the background to the right of the boy’s head. The retouching is very finely applied and relatively minor in the costume and the face. Painting is in overall good condition and can hang as is. Offered in a decoratively carved giltwood frame.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Cataloguing

Provenance

Private collection;

Anonymous sale, London, Sotheby's, 8 December 2011, lot 119;

Where acquired.

Exhibited

Milan, Palazzo Reale, L'Arte delle Donne dal Rinascimento al Surrealismo, 5 December 2007 - 9 March 2008, no cat. no. (as by Sofonisba Anguissola)

Literature

L'Arte delle Donne dal Rinascimento al Surrealismo, exhibition catalogue, Milan 2007, no cat. no., reproduced frontispiece (as by Sofonisba Anguissola).

Catalogue Note

This lovely portrait of a young boy was previously exhibited as the work of Sofonisba Anguissola, who was a contemporary of Gervasio Gatti and trained with him in the workshop of his uncle, Bernardino Gatti, known as Sojaro. Gervasio worked alongside his uncle on commissions for the Farnese court in Parma. His portraits are notable for the porcelain texture of the faces, the attention to fine details in costume and armor, and the stately poses and expressions, all of which combine here for an impressive image that belies the sitter's young age.

Master Paintings
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