CIRCLE OF ANTONIO ALLEGRI, CALLED CORREGGIO | MADONNA AND CHILD (LA ZINGARELLA)
CIRCLE OF ANTONIO ALLEGRI, CALLED CORREGGIO | MADONNA AND CHILD (LA ZINGARELLA)
136

Property from a Private Collection

CIRCLE OF ANTONIO ALLEGRI, CALLED CORREGGIO | MADONNA AND CHILD (LA ZINGARELLA)

Estimate: 15,000 - 20,000 USD

Property from a Private Collection

CIRCLE OF ANTONIO ALLEGRI, CALLED CORREGGIO | MADONNA AND CHILD (LA ZINGARELLA)

Estimate: 15,000 - 20,000 USD

Lot Sold:23,750USD

Lot Details

Description

Property from a Private Collection

CIRCLE OF ANTONIO ALLEGRI, CALLED CORREGGIO

MADONNA AND CHILD (LA ZINGARELLA)


oil on canvas, unframed

19½ by 15¾ in.; 49.5 by 40 cm.

Condition Report

Canvas appears to be strip-lined and is stable on its stretcher. The image reads well with light craquelure throughout. Losses along the extreme edges are visible due to prior frame abrasion but may not be visible when framed. Under UV inspection, old varnish fluoresces unevenly and masks a campaign of restoration that appears to be concentrated in the dark areas of the background. Further restoration may be present but is currently obscured. Offered unframed. 


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. 

Cataloguing

Catalogue Note

This is a 16th or 17th century copy after Correggio's original canvas depicting La Zingarella in the Museo di Capodimonte, Naples.1 The name of this painting derives from the Madonna's headdress, which was commonly associated with gypsies. The present painting captures the appearance of Correggio’s work before it was cleaned and restored in 19352 when many details, including the rabbit, left, the detailed forest floor foliage, and the palm leaves, upper right, were removed. All other period copies likewise reproduce these now lost elements, confirming that if they were indeed overpaint to the composition, they must have been by Correggio’s own hand. 


1. Oil on panel, 46.5 by 37.5 cm. See D. Ekserdjian, Correggio, New Haven and London 1997, p. 61, reproduced p. 62, fig. 58.

2. Ibid., reproduced before restoration fig. 59.

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