A 'CIZHOU' SGRAFFIATO 'LOTUS' VASE, YUHUCHUN PING SONG/JIN DYNASTY | 宋/金 磁州窰白釉劃花卉紋玉壺春瓶
A 'CIZHOU' SGRAFFIATO 'LOTUS' VASE, YUHUCHUN PING SONG/JIN DYNASTY | 宋/金 磁州窰白釉劃花卉紋玉壺春瓶
A 'CIZHOU' SGRAFFIATO 'LOTUS' VASE, YUHUCHUN PING SONG/JIN DYNASTY | 宋/金 磁州窰白釉劃花卉紋玉壺春瓶
132

A 'CIZHOU' SGRAFFIATO 'LOTUS' VASE, YUHUCHUN PING SONG/JIN DYNASTY | 宋/金 磁州窰白釉劃花卉紋玉壺春瓶

Estimate: 50,000 - 70,000 GBP

A 'CIZHOU' SGRAFFIATO 'LOTUS' VASE, YUHUCHUN PING SONG/JIN DYNASTY | 宋/金 磁州窰白釉劃花卉紋玉壺春瓶

Estimate: 50,000 - 70,000 GBP

Lot Details

Description

A 'CIZHOU' SGRAFFIATO 'LOTUS' VASE, YUHUCHUN PING

SONG/JIN DYNASTY

宋/金 磁州窰白釉劃花卉紋玉壺春瓶


the pear-shaped body resting on a short splayed foot, sweeping up to a slender waisted neck and curved rim, boldly carved around the exterior through the white slip to the buff-coloured body with two wide bands of large lotus leaves and flowers interspersed with smaller buds and sprigs of leaves, a simple band of plain petals around the shoulder, all beneath a translucent milky glaze

Height 34.4 cm, 13½ in.

Condition Report

The vase has a circa 2.5cm., wide shallow chip to the underside of the rim, a 10x4mm., glaze flake to the top of the rim, two (7 and 12mm., wide) glaze flakes to the neck, some glaze firing impferections including a circa 20cm., line in the glaze running across the foot, and pooling of the glaze around the neck.


中文內容僅供參考,請以英文原版為準。口沿下有一淺磕,寬約2.5公分,口沿上有一1×0.4公分剝釉,頸有兩處剝釉(分別寬0.7公分、1.2公分),帶窰燒微瑕,如一道窰縫過足,約20公分,頸有積釉。


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."


我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您向其他專業修復人員索取諮詢,以獲得更詳盡、專業之報告。


準買家應該檢查每款拍品以確認其狀況,蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知(見圖錄)。


雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

Cataloguing

Catalogue Note

This elegant vase is notable for its bold and fluidly carved design of lotus leaves and blooms, separated in different decorative bands. Vessels carved in white slip against a buff-coloured ground are discussed by Yutaka Mino in the catalogue to the exhibition Freedom of Clay and Brush through Seven Centuries in Northern China, Indianapolis Museum of Art, Indianapolis, 1980, p. 96, where he notes that wares of this type were produced from the 11th through the 14th century.


A vase of this type but carved with a large floral band on the body, from the Yangdetang collection, was sold at Christie’s Hong Kong, 2nd October 2017, lot 77; and two smaller examples sold in our New York rooms, the first, 17th/18th September 2013, lot 80, and the second, 21st/22nd September 2005, lot 32.


See also yuhuchun vases with similar designs in black slip against a white ground, such as a smaller vase with two bands of leafy scrolls, in the Saint Louis Art Museum, illustrated in Robert D. Mowry, Hare’s Fur, Tortoiseshell, and Partridge Feathers, Cambridge, 1995, pl. 68; and one of similar proportions with a large band of lotus flowers and leaves, from the Hong Rui Tang collection, sold in these rooms, 12th December 1989, lot 250.

Important Chinese Art
Online bidding closed