View full screen - View 1 of Lot 420.  ROMARE BEARDEN |  ODYSSEUS WARRIOR.





1911 - 1988



acrylic and paper collage on Masonite

Board: 18⅛ by 12¼ in. (46 by 31.1 cm.)

Framed: 25¾ by 19¾ in. (65.4 by 50.2 cm.)

Executed circa 1977.

This work is in very good condition overall. All collage elements are stable. There are some adhesive remains surrounding the collage elements, inherent to the artist's working method and chosen media. There is light discoloration to the paper. There is minor wear to the turning edges and corners, not visible when framed. There is some abrasion along the lower left edge due to framing, not visible when framed. Framed under glass.

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Private Collection, New York (acquired directly from the artist circa 1977-80)

Thence by descent to the present owner

“In The Odyssey it is men and women who control events, acting sometimes in contravention of divine will. The poem’s great theme, the wandering of the hero who longs for home, has been described by Julian Jaynes in his recent study as ‘an odyssey toward subjective identity and its triumphant acknowledgement out of the hallucinatory enslavements of the past. Romare Bearden’s Odyssey series is not literature but painting, of course, and his technique is that talismanic twentieth century one, collage… An act of necromancy, requiring cunning, grace, nerve, intelligence and luck… It is a rash nature that invokes ‘The Odyssey’ in one department of its activity and Henri Matisse in another. But this is what Romare Bearden does in the series of collages on the subject of Odysseus… it says much for the quality of his imagination… It would be useless to pretend Mr. Bearden’s collages do not draw on the example of Matisse in their treatment of the human figure, in their treatment of exotic foliage, and in their treatment… of submarine life. But this does not at all put them out of account… much of what Homer has to tell us can quite logically be given an African context.”

(Calvin Tomkins and John Russell on Romare Bearden for 1977 exhibition at Cordier & Ekstrom, New York, as quoted in Abdul Goler, “A Refracted Image”, The Art of Romare Bearden, p. 207)