1928 - 2011
signed and dated '81; signed on the reverse
acrylic on canvas
Canvas: 16⅜ by 17⅛ in. (41.5 by 43.5 cm.)
Framed: 17½ by 18¼ in. (44.5 by 46.4 cm.)
This work is in very good condition overall. There is potential minor discoloration to the canvas, visible upon close inspection. There are textural shifts throughout inherent to the artist's chosen media. Under ultraviolet light, there is no evidence of restoration. Framed without glazing.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
The Estate of Nathan Kolodner (gift of the artist)
André Emmerich Gallery, New York
Sotheby's, New York, 27 February 1990, Lot 126
Private Collection, São Paulo (acquired at the above sale)
Almeida e Dale Galeria de Arte, São Paulo
Acquired from the above by the present owner
"One has the feeling that her pictures are an environment into which we look, and, in a similar way, that it is an environment, a place, where she has been."
- E.A. Carmean in Exh. Cat., New York, Museum of Modern Art (and traveling), Helen Frankenthaler: A Paintings Retrospective, 1989, p. 8