View full screen - View 1 of Lot 141. RARE ET GRANDE STATUETTE DE YIDAM EN BRONZE DORÉ DYNASTIE MING, DÉBUT XVE - MILIEU DU XVE SIÈCLE | 明十五世紀早至中期 鎏金銅本尊立像 | A rare and large gilt-bronze figure of Yidam, Ming Dynasty, early to mid-15th century.
141

RARE ET GRANDE STATUETTE DE YIDAM EN BRONZE DORÉ DYNASTIE MING, DÉBUT XVE - MILIEU DU XVE SIÈCLE | 明十五世紀早至中期 鎏金銅本尊立像 | A rare and large gilt-bronze figure of Yidam, Ming Dynasty, early to mid-15th century

Estimate:

80,000

to
- 150,000 EUR

RARE ET GRANDE STATUETTE DE YIDAM EN BRONZE DORÉ DYNASTIE MING, DÉBUT XVE - MILIEU DU XVE SIÈCLE | 明十五世紀早至中期 鎏金銅本尊立像 | A rare and large gilt-bronze figure of Yidam, Ming Dynasty, early to mid-15th century

RARE ET GRANDE STATUETTE DE YIDAM EN BRONZE DORÉ DYNASTIE MING, DÉBUT XVE - MILIEU DU XVE SIÈCLE | 明十五世紀早至中期 鎏金銅本尊立像 | A rare and large gilt-bronze figure of Yidam, Ming Dynasty, early to mid-15th century

Estimate:

80,000

to
- 150,000 EUR

Lot sold:

100,000

EUR

RARE ET GRANDE STATUETTE DE YIDAM EN BRONZE DORÉ DYNASTIE MING, DÉBUT XVE - MILIEU DU XVE SIÈCLE

明十五世紀早至中期 鎏金銅本尊立像

A rare and large gilt-bronze figure of Yidam, Ming Dynasty, early to mid-15th century


la statuette finement sculptée et richement dorée, debout sur un double socle lotiforme, écrasant deux personnages enlacés sous chaque pied, le bras droit levé près de la tête, l'attitude féroce, la tête courroucée aux yeux exorbités, la bouche ouverte aux lèvres enflammées révélant des dents acérées, les narines évasées, un troisième œil sur le front, la chevelure rouge dressée derrière une couronne à cinq pointes, le corps replet couvert de bijoux et d'un serpent en guise de collier, les épaules couvertes d’une guirlande de têtes coupées, vêtue d'un riche tablier à décor de chaînes perlées et de motifs ajourés fleurdelisés, non scellée


35,2 cm (avec la base), 13⅞ in. (with the base)

35.2 公分, 13⅞英寸 (連底座)

This figure and base are cast separately and are richly gilt and heavily cast. There is minor overall wear and scratching to the gilding and to the surface. Any attributes that may have been there are missing. There is a rectangular-shaped opening to the back. Several areas have been broken off, including one tip of the crown, the tip of the ribbon to the lower left side of the figure, and a few beaded jewels hanging around the lower part of the skirt, the small finger of the figure's left hand and a stress crack to another finger of the same hand and to one finger of the right hand. There are also several cracks, including to one tip of the crown (slightly loose), a beaded jewel to the right side of the figure (secured with screw), and, the areas above the left ankle and right knee. There is break above the knee joint above the right leg and a break to the ankle of the left leg which has been secured.

The base may be associated. The two openings possibly of a later day. 


中文內容僅供參考,請以英文原版為準。此像鑄造精美,主尊及底座為分開鑄造。通體有輕微磨損及劃痕。或曾持有法器,現已缺失。背部可見一方形洞。有幾處已斷/缺失,包括頭冠一尖、左下方飄帶尖端、下方吊飾部分尖端及左手小指。另見幾道裂紋,包括頭冠一尖(少許鬆弛)、右方吊飾(已用螺絲加固)、左脚跟以上及右膝(已經加固)。底座及兩處開口或爲后配。


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."


我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您向其他專業修復人員索取諮詢,以獲得更詳盡、專業之報告。

準買家應該檢查每款拍品以確認其狀況,蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知(見圖錄)。

雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

The attributes are missing from the hands of this powerfully modelled tantric deity, making the iconography uncertain. The ithyphallic god displays attributes that distinguish the wrathful Yidam deities of Tibetan Vajrayana Buddhism, including a flaming moustache and beard; a now fragmentary garland of severed heads; a skull crown; a beaded apron of human bone; a snake coiled around a mass of flaming hair; and one draped over the left shoulder and around the corpulent body. Regal jewellery adorns ears, arms and ankles, and a billowing scarf frames the deity as he stands with feet planted in a dramatic and aggressive posture.


The Chinese symbol of two embracing boys beneath the feet of the Yidam is an unusual feature in a Vajrayana Buddhist context, and may not be original. The refined modelling of the deity, however, bears stylistic and iconographic similarities to good early Ming gilt bronze sculpture: compare the style and modelling of the earrings with the Zhengtong period Buddha dated 1439, lot 18 in this sale. The large snake head entwined with its own tail at the abdomen is a classic design used in tantric imagery throughout the Yongle (1403-24) and Xuande period (1426-36), cf. the Vajrabhairava formerly in the A&J Speelman collection, Sotheby’s Hong Kong, 7th October, 2006, pp. 92-9, lot 812: cf. also the bone apron and the powerful modelling of a mid-fifteenth century Guhyasadhana Dharmaraja in the Potala, Lhasa, see Ulrich von Schroeder, Buddhist Sculptures in Tibet, Hong Kong, 2001, Vol. II, p. 1289, pl. 362C.


Close similarities to stylistic and iconographic design in classic early Ming Vajrayana gilt bronze sculpture suggests that this figure may be confidently dated to the fifteenth century. A Mahakala in the Palace Museum, Beijing, in The Complete Collection of Treasures of the Palace Museum: Buddhist Statues of Tibet, Hong Kong, 2003, pp. 180-1, cat. no. 172, is undated but has as an almost identical pedestal design and similar jewellery to a Vajradhara dated 1436 in the Beijing Capital Museum, in Selected Works on Ancient Buddhist Statues, Beijing, 2005, fig. 58, see Michael Henss, Buddhist Art in Tibet, Ulm, 2008, p. 214, fig. 36. The Palace Museum Mahakala is thus likely to date to the first half of the fifteenth century. Stylistic similarities between the present tantric figure and the Palace Museum Mahakala would suggest that this Yidam may also be dated early to mid fifteenth century.