LÉON TUTUNDJIAN | LA GRENADE ÉCLATÉE
LÉON TUTUNDJIAN | LA GRENADE ÉCLATÉE
LÉON TUTUNDJIAN | LA GRENADE ÉCLATÉE
LÉON TUTUNDJIAN | LA GRENADE ÉCLATÉE
LÉON TUTUNDJIAN | LA GRENADE ÉCLATÉE
LÉON TUTUNDJIAN | LA GRENADE ÉCLATÉE
11

Property from a Private Collection, London

LÉON TUTUNDJIAN | LA GRENADE ÉCLATÉE

Estimate: 25,000 - 35,000 GBP

Property from a Private Collection, London

LÉON TUTUNDJIAN | LA GRENADE ÉCLATÉE

Estimate: 25,000 - 35,000 GBP

Lot Sold:32,500GBP
(3 bids, reserve met)

Lot Details

Description

Property from a Private Collection, London

LÉON TUTUNDJIAN

Armenian, 1905 - 1968

LA GRENADE ÉCLATÉE 


signed TUTUNDJIAN lower right

oil on canvas

92 by 60cm., 36 by 23½in.

framed: 94.5 by 62cm., 37 by 24½in.


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Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Condition Report

The canvas has not been lined.

Inspection under ultra-violet light reveals some small scattered spots of cosmetic retouching, notably in the background, and two areas addressing repairs:

- a circa 3 by 3cm area in the pomegranate's skin, also patched on the reverse; and

- a circa 10cm horizontal stroke running across the green branch nearer the centre of the composition.

Overall, this work presents well and is in good condition.


Presented in a simple and narrow gilt frame.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Saleroom Notice

Please note that La Grenade eclatée is a reworked composition executed circa 1959 for the exhibition 100 peintres et le Pétrole at the Musée Palais Galliéra, Paris (see Gladys C. Fabre, Tutundjian, 1994, no. 130). The original composition featured an oil refinery in the upper left corner, some further industrial buildings towards the centre, and oil pipelines running vertically through the centre of the composition. Faint pentimenti of the refinery and the pipelines are visible in the painting now, and infra-red light reveals the old composition under the reworked version, which now features the apple and pomegranate so typical of Tutundjian's surrealist works. Further vegetation and stones were added by the artist to the foreground. It is possible that Tutundjian was not satisfied with the initial composition or found it too literal and decided to repaint the work shortly after its conception. There are additional literature and exhibition references for this work:

Cataloguing

Provenance

Sale: Sotheby's London, 26 October 1994, lot 324

Purchased at the above sale by the present owner

Exhibited

Paris, Musée Palais Galliéra, 100 peintres et le Pétrole, 1959

Literature

Gladys C. Fabre, Tutundjian, Paris, 1994, no. 130, illustrated with a black and white photograph from the Tutundjian photographic archive

Catalogue Note

The present work dates from Tutundjian's Surrealist period, when, inspired by the works of René Magritte and Salvador Dalí, the artist developed his own visual metaphors often imbued with subtle Indian and Persian influences. Although never becoming a formal member of the Surrealist group, he was closely associated with André Breton and exhibited with the Surrealists throughout the 1940s and 1950s. 


In 1923 Tutundjian emigrated to Paris where he befriended his fellow Armenian painter Ervand Kochar, who introduced him to Miró, Picasso, Mondrian and Jacques Villon. In 1930 he co-founded the Art Concret movement which espoused a non-figurative style. 

20th Century Art: A Different Perspective
Online bidding closed12 Nov 2019 | 03:10 PM GMT