HAROLD KNIGHT R.A., R.O.I., R.P. | A VILLAGE WEDDING
HAROLD KNIGHT R.A., R.O.I., R.P. | A VILLAGE WEDDING
HAROLD KNIGHT R.A., R.O.I., R.P. | A VILLAGE WEDDING
HAROLD KNIGHT R.A., R.O.I., R.P. | A VILLAGE WEDDING
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Property of a Private Collector, Palm Beach

HAROLD KNIGHT R.A., R.O.I., R.P. | A VILLAGE WEDDING

Estimate: 80,000 - 120,000 USD

Property of a Private Collector, Palm Beach

HAROLD KNIGHT R.A., R.O.I., R.P. | A VILLAGE WEDDING

Estimate: 80,000 - 120,000 USD

Lot Details

Description

HAROLD KNIGHT R.A., R.O.I., R.P.

British

1874 - 1961

A VILLAGE WEDDING


oil on canvas 

64¼ by 76¼ in.

163.2 by 193.7 cm


We would like to thank R. John Croft F.C.A., the great nephew of Dame Laura Knight R.A., R.W.S., for his contributions to the catalogue entry for this work, which will be included in his forthcoming catalogue raisonné of Harold Knight R.A., R.O.I, R.P. 

Condition Report

The following condition report was kindly provided by Simon Parkes Art Conservation, Inc.: The work is in excellent condition. This work is restored and should be hung in its current condition. There are very few retouches. These retouches are all clearly visible under ultraviolet light—in the left glove of the mother of the bride and in the sky in a small group in the upper right and in a few dots on the extreme left edge. Any other unevenness to the paint layer when viewed under ultraviolet light is all original to the artist.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Cataloguing

Exhibited

Newlyn, Newlyn Art Club, March 25, 1908

London, Royal Academy, 1908, no. 513

London, Royal Academy, 1962, no. 244 

Literature

Caroline Fox, Painting in Newlyn, 1900-1930, Penzance, Cornwall, 1985, p. 120, illustrated

Architectural Digest, New York, May 1987, p. 123, illustrated 

Catalogue Note

Harold Knight studied at the Académie Julian in Paris under Jean Paul Laurens and Benjamin Constant. In 1897, he trained at the Nottingham School of Art, where he met Laura Johnson (the future Dame Laura Knight), one of the most accomplished female painters of her age. The two married in 1903 and later became the first husband and wife Academicians in the history of the Royal Academy (Laura admitted in 1936, and Harold in 1937). In 1907, Laura and Harold settled in Cornwall, where they were central to the artistic communities in Lamorna Cove and Newlyn.


A Village Wedding was Knight’s first painting of Newlyn, where the work was first exhibited in 1908. Leaving St. Peter’s Church in Newlyn, the confetti-sprinkled bride and groom are likely from local fishing families. According to their friend Norman Garstin, the move to Cornwall from Staithes, in Yorkshire, precipitated in the work of both husband and wife "an utter change in both their outlook and method: they at once plunged into a riot of brilliant sunshine of opulent color and sensuous gaiety," which is evident in the brightly colored palette of the present work (as quoted in Caroline Fox, Dame Laura Knight, Oxford, 1988, p. 28).

19th Century European Art
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