AFTER DONATO DI NICCOLO DI BETTO BARDI, CALLED DONATELLO (CIRCA 1386-1466), ITALIAN, FLORENCE, 19TH CENTURY | AMOR-ATTIS
AFTER DONATO DI NICCOLO DI BETTO BARDI, CALLED DONATELLO (CIRCA 1386-1466), ITALIAN, FLORENCE, 19TH CENTURY | AMOR-ATTIS
AFTER DONATO DI NICCOLO DI BETTO BARDI, CALLED DONATELLO (CIRCA 1386-1466), ITALIAN, FLORENCE, 19TH CENTURY | AMOR-ATTIS
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AFTER DONATO DI NICCOLO DI BETTO BARDI, CALLED DONATELLO (CIRCA 1386-1466), ITALIAN, FLORENCE, 19TH CENTURY | AMOR-ATTIS

Estimate: 10,000 - 15,000 GBP

AFTER DONATO DI NICCOLO DI BETTO BARDI, CALLED DONATELLO (CIRCA 1386-1466), ITALIAN, FLORENCE, 19TH CENTURY | AMOR-ATTIS

Estimate: 10,000 - 15,000 GBP

Lot Sold:12,500GBP

Lot Details

Description

AFTER DONATO DI NICCOLO DI BETTO BARDI, CALLED DONATELLO (CIRCA 1386-1466)

ITALIAN, FLORENCE, 19TH CENTURY

AMOR-ATTIS


bronze, dark brown and gilt patina, on a veined green marble base

bronze: 99cm., 39in.

base: 23cm., 9in.


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Condition Report

Overall the condition of the bronze is good, with some wear and dirt to the surface consistent with age. There is wear to the patina throughout, including some flaking and surface scratching, including to the abdomen, proper left hip, both arms, and the proper left leg. There are some further minor nicks and scratches, including to the buttocks. Some losses to the gilt patina. Minor greening in areas such as the crevices of the hair.  

There are chips and abrasions to the marble base, with more notable losses around the bottom. 


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." 

Cataloguing

Catalogue Note

The original version of this enigmatic and compelling model by the great Renaissance sculptor Donatello is in the Museo del Bargello, Florence. Its iconography, whose precise meaning has not been resolved, appears to merge the Roman god of Love with the Phrygian god Attis.

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19th and 20th Century Sculpture
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