Lot 9
  • 9

ED RUSCHA | Oaks, Oats

Estimate
200,000 - 300,000 USD
bidding is closed

Description

  • Ed Ruscha
  • Oaks, Oats
  • signed and dated 1977 on the reverse 
  • pastel on paper
  • 22 5/8 by 28 1/2 in. 57.5 by 72.5 cm.

Provenance

Acquired directly from the artist by the present owner in 1999

Exhibited

London, Anthony d’Offay Gallery, Ed Ruscha, June – July 1998
Sydney, Museum of Contemporary Art; Rome, Museo Nazionale Delle Arti Del XXI Secolo, Ed Ruscha, March – September 2004
Edinburgh, Scottish National Gallery of Modern Art, Ed Ruscha: Paintings, Drawings, Photographs, Books, November 2004 – January 2005
London, Winfield House (US Ambassador’s residence), Art in Embassies Program, October – November 2011

Literature

Ed Ruscha, They Called Her Styrene, London 2000, n.p., illustrated in color
Victoria Dejaco, Stéphane Mallarmés Raumkonzept in zeitgenössischen Positionen: Marcel Broodthaers und Edward Ruscha, Vienna 2011, pl. 48, p. 74 (text), p. 122, illustrated in color
Lisa Turvey, Ed., Edward Ruscha: Catalogue Raisonné of the Works on Paper, Volume Two, 1977-1997, New York 2018, cat. no. D1977.17, p. 54, illustrated in color

Condition

This work is in very good condition overall. The colors are bright, fresh and clean. There is a slight undulation to the sheet inherent to the artist's working method and chosen medium. Under very close inspection, there is light evidence of handling and wear to the edges including a minute and unobtrusive skinning to the paper surface isolated to the extreme lower right corner measuring no more than 1/16 of an inch. Under extremely close inspection, there is a pinpoint brown spot accretion measuring less than 1/16 of an inch in the lower left corner, 3 inches from the bottom edge and two inches from the left edge. The sheet is hinged intermittently along the edges verso to the mat. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"I see myself working with two things that don't even ask to understand each other. I like the emptiness of things at the same time that I like things that are power-packed." Ed Ruscha