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PETER FISCHLI & DAVID WEISS | Napf - Dog Dish
Estimate
40,000 - 60,000 USD
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Description
- Fischli & Weiss
- Napf - Dog Dish
- cast rubber
- 4 by 11 1/8 by 11 1/8 in. 10.2 by 28.3 by 28.3 cm.
- Executed in 1987, this work is from an edition of 6.
Provenance
Sonnabend Gallery, New York
Acquired from the above by the present owner
Acquired from the above by the present owner
Exhibited
Kunsthaus Zürich, Stiller Nachmittag: Aspekte Junger Schweizer Kunst, September - November 1987, p. 64, illustrated (another example exhibited)
Frankfurt, Portikus, Peter Fischli/David Weiss: Objekte aus der Gummi-Serie, September - October 1988, n.p., illustrated
Malmö, Rooseum, What is Contemporary Art?, June - July 1989, cat. no. 2, p. 28, illustrated in color (another example exhibited)
Minneapolis, Walker Art Center, Peter Fischli and David Weiss: In a Restless World, May - August 1996 (another example exhibited)
Saratoga Springs, The Frances Young Teaching Museum and Art Gallery; Columbus, Wexner Center; Milwaukee Art Museum, From Pop to Now: Selections from the Sonnabend Collection, June 2002-May 2003, pp. 78-79, illustrated in color (another example exhibited)
Nîmes, Le Carre d'Art; Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Sculpture de Derain à Sechas; Collection du Centre Pompidou, Musée National d'art moderne, May - August 2003, p. 102, illustrated in color (another example exhibited)
Lausanne, Musée Cantonal des Beaux Arts, Private View 1980-2000: Collection Pierre Huber, June - September 2005, p. 149, illustrated in color (another example exhibited)
London, Tate Modern; Kunsthaus Zürich; Deichtorhallen Hamburg, Peter Fischli & David Weiss: Flowers & Questions - A Retrospective, October 2006 - February 2008, pp. 259-60 and 358, text (another example exhibited)
New York, Skarstedt, Fischli & Weiss: Rubber Sculptures, September - October 2008 (another example exhibited)
New York, Matthew Marks Gallery, Peter Fischli and David Weiss: Clay and Rubber, October 2009 - January 2010 (another example exhibited)
New York, Guggenheim Museum, Peter Fischli & David Weiss: How to Work Better, February - April 2016, p. 123, illustrated in color (another example exhibited)
Frankfurt, Portikus, Peter Fischli/David Weiss: Objekte aus der Gummi-Serie, September - October 1988, n.p., illustrated
Malmö, Rooseum, What is Contemporary Art?, June - July 1989, cat. no. 2, p. 28, illustrated in color (another example exhibited)
Minneapolis, Walker Art Center, Peter Fischli and David Weiss: In a Restless World, May - August 1996 (another example exhibited)
Saratoga Springs, The Frances Young Teaching Museum and Art Gallery; Columbus, Wexner Center; Milwaukee Art Museum, From Pop to Now: Selections from the Sonnabend Collection, June 2002-May 2003, pp. 78-79, illustrated in color (another example exhibited)
Nîmes, Le Carre d'Art; Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Sculpture de Derain à Sechas; Collection du Centre Pompidou, Musée National d'art moderne, May - August 2003, p. 102, illustrated in color (another example exhibited)
Lausanne, Musée Cantonal des Beaux Arts, Private View 1980-2000: Collection Pierre Huber, June - September 2005, p. 149, illustrated in color (another example exhibited)
London, Tate Modern; Kunsthaus Zürich; Deichtorhallen Hamburg, Peter Fischli & David Weiss: Flowers & Questions - A Retrospective, October 2006 - February 2008, pp. 259-60 and 358, text (another example exhibited)
New York, Skarstedt, Fischli & Weiss: Rubber Sculptures, September - October 2008 (another example exhibited)
New York, Matthew Marks Gallery, Peter Fischli and David Weiss: Clay and Rubber, October 2009 - January 2010 (another example exhibited)
New York, Guggenheim Museum, Peter Fischli & David Weiss: How to Work Better, February - April 2016, p. 123, illustrated in color (another example exhibited)
Literature
Pier Luigi Tazzi, "Peter Fischli and David Weiss," Artforum, Summer 1987, p. 132 (text)
G. Celant, "Fischli/Weiss: in appearance", Parkett, no. 17, 1988, p. 42, illustrated
Michael Wilson, "Peter Fischli and David Weiss: Matthew Marks Gallery," Time Out New York, 10-16 December 2009, p. 48 (text)
G. Celant, "Fischli/Weiss: in appearance", Parkett, no. 17, 1988, p. 42, illustrated
Michael Wilson, "Peter Fischli and David Weiss: Matthew Marks Gallery," Time Out New York, 10-16 December 2009, p. 48 (text)
Condition
This work is in good and sound condition overall. There is evidence of handling and wear to the surface of the work, including scattered scuffs, abrasions and very small areas of losses to the surface.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.