- 35
Lucio Fontana
Estimate
200,000 - 300,000 EUR
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Description
- Lucio Fontana
- Concetto spaziale, Attese
- firmato, dedicato, intitolato e iscritto sul retro
- idropittura su tela, rosso
- cm 35x27
- Eseguito nel 1960
Provenance
Collezione Italo Marzari, Venezia
Galleria del Leone, Venezia
Collezione Renato Luce, Venezia
Galleria Bonaparte, Milano
Galleria d’Arte Maggiore, Bologna
Studio d’Arte G.R., Sacile
Collezione privata, Venezia
Ivi acquistato dall'attuale proprietario
Galleria del Leone, Venezia
Collezione Renato Luce, Venezia
Galleria Bonaparte, Milano
Galleria d’Arte Maggiore, Bologna
Studio d’Arte G.R., Sacile
Collezione privata, Venezia
Ivi acquistato dall'attuale proprietario
Exhibited
Venezia, Galleria del Leone, Raysse-Fontana, 1964
Bologna, Galleria d’Arte Moderna, Arte italiana. Ultimi quarant’anni. Pittura aniconica, 1998-99, pp. 102, 294, n. 69, illustrato a colori
Bologna, Galleria d’Arte Moderna, Arte italiana. Ultimi quarant’anni. Pittura aniconica, 1998-99, pp. 102, 294, n. 69, illustrato a colori
Literature
Enrico Crispolti, Fontana. Catalogo generale, Milano 1986, Vol. I, pp. 336, 337, illustrato
Arte, novembre 1989, n. 201, anno XIX, p. 44, illustrato a colori (capovolto)
Enrico Crispolti, Lucio Fontana. Catalogo ragionato di sculture, dipinti, ambientazioni, Milano 2006, Vol. I, p.505, n. 60 T 142, illustrato
Arte, novembre 1989, n. 201, anno XIX, p. 44, illustrato a colori (capovolto)
Enrico Crispolti, Lucio Fontana. Catalogo ragionato di sculture, dipinti, ambientazioni, Milano 2006, Vol. I, p.505, n. 60 T 142, illustrato
Condition
Please refer to the Modern and Contemporary Art department for a professional condition report.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
(l'iscrizione sul retro, come scritto sul Catalogo Ragionato, sta svanendo)
(the inscription on the reverse, as stated in the Catalogue Raisonné, is vanishing)
(the inscription on the reverse, as stated in the Catalogue Raisonné, is vanishing)
“Il vero antagonista del kitsch totalitario è l’uomo che pone delle domande.
Una domanda è come un coltello che squarcia la tela di un fondale dipinto
per permetterci di dare un’occhiata a ciò che si nasconde dietro.”
The true antagonist of totalitarian kitsch is the man who poses questions.
A question is like a knife that breaks the canvas of a painted backdrop to let us have a look at what lies behind
Milan Kundera, L’insostenibile leggerezza dell’essere