Lot 70
  • 70

Zapotec Figural Urn of the Butterfly God Monte Alban III A, Classic, Circa 200 - 600 AD

Estimate
30,000 - 40,000 USD
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Description

  • terracotta
  • Height: 15 5/8 in (39.7 cm)

Provenance

David H. Bramhall, New York
European Private Collection, acquired from the above on November 16, 1982

Exhibited

Denver Art Museum, Denver, long term loan, 1998-2017

Condition

Overall excellent condition. Extensive original pigment beneath encrustation. Note minor loss to proper right side feather headdress. Clean break and vertical repair on proper right side of feather headdress.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The golden age of the Zapotec kingdom was established in Epoch III by AD 200, with the capital of Monte Alban reigning as the largest city in southern Mexican highlands for the next 500 years. The coqui (rulers or hereditary lords) lived in large, sumptuous palaces and residences, decorated with architectural niches where such incensarios would have been placed. The figural urns are considered depictions of the rulers adorned with the massive jewelry and headdresses associated with deities. The figural urns, 'many of which are one-of-a kind masterpieces […] provided a venue to which the pèe, or animate spirit, of these heroes and royal ancestors could return.' (Marcus & Flannery, Zapotec Civilization, 1996, p. 209).

This figural urn portrays an elegant and proud finely sculpted face surmounted by an extremely ornate and layered symbolic headdresses. It is covered in rich orange-red pigment that gives equal measure to the chiseled features of the idealized youthful face, and the massive headdress of the Butterfly God.

The Butterfly god is identified by feather rimmed eyes and the tightly coiled proboscis rising above. An additional nahualli of the Jaguar god is shown with the snarling and fanged mouth mask centered between. The figure is adorned with characteristic arching plumes, tassels and beaded jewelry. The butterfly is associated with warfare and rebirth, perhaps linked to its resilience and transformative nature.

The Butterfly god is a direct influence from Teotihuacan, the equally powerful city reigning in the Classic era. Images of the butterfly appear on massive headdresses shown in murals, mirror-backs and incensarios in the Palace of Quetzapapltotl ('Quetzal-Butterfly') in Teotihuacan. For examples of similar figural urns of  the deity with the Butterfly God headdress, see Boos, the Ceramic Sculptures of Ancient Oaxaca, 1966, figs. 106, 110 & 112.