Lot 1016
  • 1016

Zao Wou-Ki (Zhao Wuji)

Estimate
200,000 - 400,000 HKD
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Description

  • Zao Wou-Ki (Zhao Wuji)
  • Untitled
  • watercolour on paper 
signed in Chinese and Pinyin 

Provenance

Acquired directly from the artist by the present owner

Literature

Zao Wou-Ki: Dans l'ultime bonheur de peindre 2000-2010, Albin Michel Editions, Paris, 2012

Condition

This work is overall in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Return to Truth and Purity

The lightness of space, the harmony of colours, the pursuit of forms in space, and the collision of surfaces—these are the conflicts and fears in my heart. The emptiness of white, the tranquillity of blue, the hopeless of purple and orange. I am not afraid to grow out, nor to die. As long as I can still hold a brush and apply pigments, I have no fear at all.
- Zao Wou-ki

Zao Wou-ki's painting evolved through several stages: the narratives and reminiscences of the ancient past in the 1950's, the cursive calligraphy-inspired explosive expressionism of the 1960's, the reengagement with ink the 1970's. After 2000, he pursued a spiritual realm of purity and emptiness, and his works became increasingly serene and ethereal. In every period, Zao developed unique artistic expressions and made important breakthroughs, making him a towering figure in post-War abstract painting. Just as the Jin-dynasty poet Xie Lingyun expressed his desire to return to a state of purity through his descriptions of nature, Zao Wou-ki, through his gentle abstract landscapes, reanimated the Chinese landscape painting tradition and created new ideal spiritual abodes in the tumultuous modern age.