Kazuo Shiraga

Private Collection (acquired directly from the artist)
Acquired from the above by the present owner

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is more vibrant in the original. The catalogue illustration also fails to fully convey the rich texture of the oil paint visible in the original. Condition: This work is in very good condition. Extremely close inspection reveals fine and unobtrusive tension cracks running intermittently along the extreme outer edges and a few isolated hairline cracks scattered in places elsewhere. Close inspection reveals evidence of an old frame impression in places to the extreme outer edges. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“My body moves… in relation to the canvas… It’s a "moment to moment" thing. The canvas changes its appearance in a flash. Unless I do it quickly, I will regret… The most difficult thing is when to stop. Where to stop.”

Kazuo Shiraga in conversation with Haryū Ichirō, 1973

Cited in: Exh. Cat., New York, McCaffrey Fine Art, Kazuo Shiraga, 2009, p. 64.