Lot 122
  • 122

Agostino Bonalumi

Estimate
100,000 - 150,000 EUR
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Description

  • Agostino Bonalumi
  • Bianco
  • firmato sul retro due volte
  • tela estroflessa e tempera vinilica
  • cm 100x100
  • Eseguito nel 1978

Provenance

Galleria Niccoli, Parma
Ivi acquisito dalla famiglia dell'attuale proprietario nel 2001

Condition

This work appears to be in generally good overall condition. Under UV light are visible 4 minor retouching on the vertical sharp corners of few shapes on the left side and other marginal ones along the sharp corner of the edges, especially the left one, and by the upper left and lower right corners.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"L'attitudine di Bonalumi nei confronti della propria pittura è sempre stata la medesima […]: quando l'artista riteneva "sufficientemente" analizzata ed esaurita una delle possibilità linguistiche che lui stesso si era scelto, passava ad altro, con una sorta di progettata leggerezza che non molti hanno capito interamente, e che invece costituisce una delle componenti più interessanti del suo atteggiamento nei confronti del fare arte."

Marco Meneguzzo

"Bonalumi's attitude with regards to his work has always been the same […]: once the artist deemed a linguistic possibility he chose as being sufficiently analyzed and exhausted, he would move on to another with a projected lightness that many did not fully understand. However it is one of the most interesting components of his attitude with regards to creating art."