- 111
Paolo Scheggi
Description
- Paolo Scheggi
- Intersuperficie rossa+giallo
- firmato sull'etichetta sul retro
- acrilico giallo su tre tele sovrapposte
- cm 70,5x50,5x5,5
- Eseguito nel 1966
Provenance
Literature
Paolo Scheggi. The Humanistic Measurement of Space, a cura di Francesca Pola, catalogo della mostra, Milano 2014, fig. 95, pp. 105, 182, r.c., illustrato
Paolo Scheggi, in "Wall Street International", 24 settembre 2015, pp. 21, 61, r.c.
Luca Massimo Barbero, Paolo Scheggi. Catalogue raisonné, Milano 2016, n. 66 T 31, p. 266, illustrato
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
An export licence has been requested for this lot. Sotheby's is not responsible and cannot guarantee that the export licence will be granted. For the release of the lot, please refer to the department.
“Credo, come affermavo sin dall’inizio, che non ci si debba porre il quesito di che cosa Scheggi avrebbe potuto realizzare se fosse vissuto più a lungo. Ritengo davvero che il breve percorso del Suo operare abbia dato vita ad un gruppo di lavori che, sin dai primissimi tentativi, rivelano un grado eccezionale di maturità come del resto le ultime “azioni” e le ultime performance stavano ad indicare un nuovo cammino che doveva divenire imperante nell’immediato futuro e di cui la sensibilità di Paolo aveva intuito il prossimo manifestarsi.”
Gillo Dorfles, Milano, Settembre 2002
“I believe, as I stated from the start, that we should not ask the question of what could have Scheggi achieved if he would have lived longer. I consider that the short path of his actions gave life to a group of works which, right from the beginning, revealed themselves to be extremely mature as well as his last “performaces” were indicating a new direction that could have become relevant in the immediate future of which Paolo had guessed its imminent manifestation.”