Joseph François Nollekens

Oil on copper. The copper is relatively flat aside from some minor bumps at the corners, a minor bump near the upper center edge and to the left of the woman in pink. A small disturbance to the copper below the man at left’s extended leg. Surface dirt and dust. Under UV light, there are some newer retouches at the extreme edges. Some older areas of strengthening in the figures along the horizon line. A few older inpaints in the building in the upper right quadrant. In overall good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Joseph François Nollekens was the father of the English sculptor Joseph Nollekens. The younger Nollekens noted that his father had been a pupil of Watteau.¹ In the present work, Nollekens emulates the subject matter which Watteau and his French contemporaries favored.

1. Personal diary, 29 January 1803.