Lot 419
  • 419

Antonio Zanchi

Estimate
20,000 - 30,000 USD
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Description

  • Antonio Zanchi
  • The Death of King Josiah
  • oil on canvas
  • 45 1/2 by 65 1/4 in.; 115.6 by 165.7cm.

Provenance

Anonymous sale, New York, Bonhams, 26 October 2011, lot 12 (as "Neapolitan School, 17th Century");
There purchased by the present owner.

Condition

Canvas has a recent relining. There is a thin line of retouching running along top of canvas where it may have been stretched over an old liner. A couple isolated retouches can be seen under UV within the back of the figure at left, as well as in his back side. King Josiah (laying figure) has scattered retouches along his bicep and forearm, but these have been applied well. For a canvas this size there are relatively few retouches and they have been recently and expertly applied. In a carved gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

According to Kings: 22-23 and Chronicles: 34-35, Josiah was the King of Judah and an institutor of major religious reforms, credited as having discovered the "book of law", sometimes identified as a portion or whole of what is now the Book of Deuteronomy. Josiah's death is described in relatively brief detail in both Kings and Chronicles. It is written in both books that he was killed by Pharoah Necho II of Egypt in battle at Megiddo, an important ancient strategic site located in modern day Israel. 

This dramatic tenebrist canvas is probably a work of Zanchi's early maturity, dating from around or shortly after 1660. At this date his work betrays a keen interest in the early work of Luca Giordano and the Genoese Giovanni Battista Langetti, who had recently settled in Venice. Comparable figures may, for example, be found in his Alexander the Great and the Body of Darius painted for the Palazzo Albrizzi in Venice and still in situ.