Italian, probably Florence, 16th century

Overall the condition of the bronze is good with dirt and wear to the surface consistent with age. There are remnants of old black lacquer to the surface throughout, which have worn away in areas, notably to the body. There may have been a lid, given the presence of an inlet to the rim of the urn. There are nicks and scratches to the surface. The underside is uneven and there may be a pin/insert.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

There is a very similar statuette with a boy holding a vase in the Victoria and Albert Museum, catalogued as Florence, 16th century (inv. no. 4439-1858). Planiscig suggests that another such putto was made in Venice circa 1550 (op. cit., p. 330, fig. 337).

RELATED LITERATURE
L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, p. 330, fig. 337