- 676
Théodule Ribot
Estimate
3,000 - 4,000 USD
bidding is closed
Description
- Théodule Ribot
- Job Berated by His Wife and Three Friends
- signed Ribot (lower right)
- ink and wash on paper
- 10 1/8 by 12 1/4 in.; 25.7 by 31.1 cm.
Condition
The sheet has been laid down onto another larger sheet. The surface is in generally good condition overall. Framed under glass.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
As Ribot’s career as a painter and draughtsman evolved his work became increasingly more emotional, the forms of figures highly expressionistic as any continuation of a classical aesthetic was replaced by a very personal style. Working in various media – as here - Ribot’s drawing suggest his debt to earlier artists, especially those from the seventeenth century in Spain or Holland. This Biblical theme is typical of his later style; there is no hesitancy in accepting this work as by the artist. The handling of the medium, the compositional format and the signature all fully conform to what we now realize was Théodule Ribot’s manner in ink and wash. I knew the drawing from an old photograph and a photocopy made in a research library, probably at the National Gallery in Washington, DC., but nothing else, except that the catalogue of the 1887 Ribot exhibition at the Bernheim Jeune Gallery in Paris lists a work with the title Job, no. 90 of the catalogue, no description.