Rare vase en porcelaine de la famille rose Chine, dynastie Qing, marque et époque Yongzheng (1723-1735)

la panse ovoïde sous un long col droit, le pourtour très finement peint d'une branche noueuse de prunier en fleurs dont les branchages s'épanouissent sur les côtés et à l'intérieur du col, s'entremêlant avec des bambous aux feuilles peintes dans un délicat camaïeu de bleu et vert, marque à six caractères en bleu sous couverte à la base ; le col réduit

Collection of Charles E. Russell (1866-1960), London.
Sotheby's London, 7th December 1944, lot 107.
Bluett & Son, London.
Collection of Geoffrey Hutchinson (according to label).
Collection of E.C. Blake, London.
Sotheby's'London, 8th July 1958, lot 80.
Sotheby's London, 8th July 1975, lot 153.

Enamelled Polychrome Porcelain of the Manchu Dynasty, Oriental Ceramic Society, London, 1951, no. 188.

The neck of this vase has been reduced at some point in its history. There are two small holes to one side of the neck just below the rim where there may have been rivets before. There is some light flaking to the green enamels of the leaves and the black enamel of the branch. Otherwise, the vase is in overall very good condition with beautiful details and painting.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

During the Yongzheng period, a painterly style of porcelain decoration flourished at the Qing court under the influence of Jesuit artists such as Giuseppe Castiglione. Under their influence, Chinese artists like Yun Shouping (1633-1690) propagated flower paintings among a wider audience. The knotted branches of a flowering prunus tree bearing delicately painted blossoms next to a bamboo and rooted beside a mossy ornamental rock are rendered with great skill while appearing completely natural. At the same time, the design is being applied across the body and neck in a way that effectively complements the shape of the vase. 

Vases and dishes with similarly finely painted flower designs and bearing Yongzheng marks, are known in a number of shapes and designs. Compare, for instance, a large tianqiuping painted with sprays of peony mingled with sprays of prunus, from the collection of R.H.R. Palmer, illustrated in Soame Jenyns, Later Chinese Porcelain, London, 1951, pl. XC, fig. 2, and one sold at Sotheby's Hong Kong, 30th October 2000, lot 205. For a bottle vase bearing  a design of intertwined flowering peony branches, compare an example sold at Sotheby's Hong Kong, 4th May, 1994, lot 229. The present vase is also closely related in shape and design to a pair of famille rose vases bearing Qianlong marks, enamelled with a tree with knotted branches with yellow blossoms similarly rooted beside a mossy rock, sold at Sotheby's London, 18th June 1985, lot 200.