Lot 17
  • 17

Alberto Giacometti

Estimate
1,400,000 - 2,000,000 USD
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Description

  • Alberto Giacometti
  • Figurine
  • Inscribed with the signature Alberto Giacometti and numbered 1/6
  • Bronze
  • Height: 17 1/2 in.
  • 44.5 cm

Provenance

Pierre Matisse Gallery, New York

Acquired from the above in 1962

Literature

Alberto Giacometti Database no. 1485

Condition

Excellent condition. The bronze bears a rich mottled brown patina with golden undertones. The sculpture is stable and in excellent condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Figurine is a richly modeled bronze example of one of the key motifs of Giacometti's art - the standing female figure.  This sharply contoured cast, which is marked 1 from an edition of 6, was acquired by the family of the present owner directly from the artist's New York dealer, Pierre Matisse.    Standing at nearly 45 centimeters high, the present sculpture is closely related to a larger version of a standing figure, measuring approximately 78 centimeters in height, that Giacometti also completed the same year. 

Throughout the 1940s and up until his death in 1966, Giacometti created several variations of a lone nude woman, her long, lean body anchored with heavy block feet to a base and frozen in time. In its many sculptural incarnations, this image highlights the dramatic contours of the body and the power of a single gesture. With its multiple and conflicting thematic connotations of stoicism, resilience, passivity, strength and vulnerability, it embodies the Existentialist concerns of many artists and intellectuals working in post-war Paris.

Created in 1961 at the height of Giacometti's international acclaim, the present sculpture followed from the series of Giacometti's Femmes de Venise, which made their debut at the Venice Biennale in 1956. After his success at the Biennale, Giacometti continued to develop the theme of standing female figures, elongating and accentuating the feminine curvature of the body and challenging the limits of the malleability and manipulation of his bronze figures. His exploration of this theme culminated in 1960 with his Grandes femmes, which were intended as part of a project for Chase Manhattan Plaza in New York City, followed by the present sculpture, which was to be one of his last modelings of this subject.