Large bol en argent, Birmanie, vers 1900

repoussé et ciselé de dieux, créatures mythologiques et animaux dont Narasimha, un avatar de Vishnu, le dessous gravé d'un paon en signature de l'orfèvre



deeply embossed and chased with gods, mythological creatures and animals including the Narasimha, an Avatar of Vishnu, engraved peacock maker's signature under the base

A few little holes where the chasing is so deep the silversmith has pierced the item. but basically in good condition. A tour de force of chasing
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Evoquant le paon gravé sous le bol, Wynyard RT Wilkinson écrit à propos de l'argenterie birmane qu' "il existe un nombre de variantes de pans en signatures, probablement faisant référence à divers orfèvres, tous proclamant ainsi un patronage royal passé. Les pièces signées d'un paon font toutes preuve d'une grande qualité d'ouvrage." Voir Wynyard RT Wilkinson, Indian Silver 1858-1947, London 1999, p.41 note 42-44

Regarding the peacock on the underside of the bowl, Wynyard RT Wilkinson writes on Burmese silver `There are a number of variations of ``peacock'' signatures, probably referring to different makers, all of whom are indirectly claiming past royal patronage by using the peacock as their mark. Pieces signed by the ``peacock'' makers are always of very good quality workmanship'. See: Wynyard RT Wilkinson, Indian Silver 1858-1947, London 1999, p.41 note 42-44