Global Contemporary, Rijksakademie

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Lot 39
  • 39

Patrick Vanden Eynde

Estimate
1,500 - 2,000 EUR
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Description

  • Patrick Vanden Eynde
  • Attic
  • 2007
  • oil on canvas
  • 50 x 60 cm / 19.69 x 35.62"

Provenance

donated by the artist

Exhibited

Some recent solo exhibitions
Tim van Laere Gallery, Antwerp 2009, 'Two-sided Island'
Crown Gallery, Brussels 2006
Museum Dhondt-Dhaenens, Deurle 2005
Xavier Hufkens, Brussels 2000, 'Multi Jump Drive'

Some recent group exhibitions
Lokaal 01, Breda 2009, 'MyPainting.nu'
Musée d´Ixelles, Brussels 2009, 'Fading'
MKgalerie.nl, Rotterdam 2008, 'Guess who's coming... Crown Gallery uit Brussel'

Literature

Selected publications
Marc Ruyters, Eva Wittocx, Arts Flanders 08: visual arts, Ghent: Flemish Institute for visual, audiovisual and media art 2008
Jean-Michel Botquin [et al.], Decennium. Kunst in België na Documenta IX, Ghent: Ludion 2005
Beeldende Kunst 1996/1997/1998, collectie Vlaamse Gemeenschap aanwinsten, Brussels: Ministerie van de Vlaamse Gemeenschap 2001
La consolation: een keuze uit de verzameling van de Vlaamse Gemeenschap, Grenoble: Magasin 1999
Marc Holthof, Patrick Vanden Eynde, Brussels: Paleis voor Schone Kunsten 1996

Selected public and corporate collections
SMAK, Ghent, BE • MUHKA, Antwerp, BE

Catalogue Note

Patrick Vanden Eynde's work incorporates time as well as space, a fictional universe that only emerges bit by bit. While painting and drawing have been his primary instruments, nowadays he works with collage. The images, which may be enlarged or drawn over, are scanned and then laser-printed onto self-adhesive film. Each features one of four dominant aspects: evocation of sound; play with space; the technique of stitching or suture; and self-portraiture Vanden Eynde regards collage as a visual construction allowing the viewer to participate in the process: the creation of the work. The painting Atomizer (2007), using a support, Vanden Eynde was able to construe/suggest a number of rooms, using a selection of images garnered from the mass media. The various shapes and patterns he uses, many of which are derived from recent design history, cause shifts in meaning as different pictorial fragments are plucked from different contexts and collaged together.

Patrick Vanden Eynde was resident artist at the Rijksakademie in 1988-1990.
He won the Uriôt Prize (NL) in 1990.