Lot 88
  • 88

Victor Jean Nicolle

Estimate
4,000 - 6,000 GBP
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Description

  • Victor Jean Nicolle
  • two roman views: a) trajan's column in front of santa maria di loreto;b) the church of santa pudenziana
  • Both pen and brown ink and wash and watercolour;
    both signed: a) J. Nicolle; b) V.J. Nicolle;
    b) bears old label stuck on the back of the mount: Vue de l'ancienne rue patricius, actuellement nommée / la rue urbaine, située entre les Monts Esquilin et / Viminal à Rome

Provenance

a) From the collection of the Countess of Derby (according to a label on the back of the frame;
b) L. Deglatigny, Rouen;
Baroness Oppenheim, Paris, 1929

Condition

Both hinged at the top to what appear to be relatively modern mounts. One (Trajan's column) is laid down. Both sheets are somewhat yellowed and with pale foxing throughout. The watercolour with Trajan's column has a very tiny nick to the surface near the lower left corner. The sheet with the church has the remains of a light vertical fold at the centre and an area of slight staining to the left of the upper edge. The watercolour is still relatively strong. Sold in (slightly tired) 19th Century wooden gilded frames.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Although there are differences between the drawing and the present façade of Sta. Pudenziana (which was altered in the late 19th Century by Cardinal Luciano Bonaparte), the campanile seems to be correct and the location is that given on the old label.