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An Ivory chess piece, Egypt or Syria, 10th-11th century
Description
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This abstract form is an impressive example of a group of ivory chessmen with decorative patterns carved into the surface. Existent in the early Islamic centuries, this form has traditionally been associated with the arrival of the game from India. However it seems likely that both figural and abstract forms were already in use prior to this. This piece is a symbolic representation of both the 'King' and the throne which is demonstrated by the form of the chess piece. A related piece was sold in these rooms on 30th April 1998, lot 1.
Closely comparable ivory pieces can be found at the British Museum (A. Contadini: 'Islamic Ivory Chess Pieces, Draughtsman and Dice' in Islamic Art in the Ashmolean Museum, ed. James Allan, Oxford, 1995, Part Im pp.111-154). Two more were excavated at Aachen in 1925 and are discussed with other examples by Manfred Eder (Bagdad-Bergkristall-Bernedictiner Zum Ex-orient des Schachspiels, Aachen, 2203 esp.pp.36-36 and 76-77). Further ivory pieces are exhibited at the Metropolitan Museum, Boston Museum of Fine Arts and a larger version was sold at Christie's, 11 April 2000. A similar 'King' can also be found in the Museum für Islamische Kunst, Berlin (Ernst Kühnel, Die Islamische Elfenbeinskupturen, Berlin, 1971, no.9, pl.V) Kühnel dates that piece to the eight or ninth century and attributes it to Egypt.