Studio of Sir Thomas Lawrence, P.R.A.

Lord Wallscourt;

Anonymous sale, London, Christie's, 11 May 1911, lot 61;

Where bought by Lowenstein;

M. Eugène Fischof, Paris;

With Sedelmeyer Gallery, 1913;

With Duveen;

From whom purchased by B.F. Jones, Pittsburgh, 1926;

Mrs. C.W. Dresselhuis, New York;

Lorraine Manville, New York, by 1959;

Metropolitan Museum of Art, New York;

By whom sold, New York, Christie's, 9 January 1981, lot 145;

Anonymous sale, New York, Sotheby's, 28 May 2005, lot 74.

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Lord Wallscourt ;

Vente anonyme, Londres, Christie's, 11 mai 1911, lot 61 ;

Où acquis par Lowenstein ;

M. Eugène Fischof, Paris ;

Galerie Sedelmeyer, 1913 ;

Galerie Duveen ;

Où acquis par B.F. Jones, Pittsburgh, 1926 ;

Madame C.W. Dresselhuis, New York ;

Lorraine Manville, New York, 1959 ;

Metropolitan Museum of Art, New York ;

Leur vente, New York, Christie's, 9 janviers 1981, lot 145 ;

Vente anonyme, New York, Sotheby's, 28 mai 2005, lot 74.

Columbus, Ohio, 1955, no. 21.

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Columbus, Ohio, 1955, n°21.

Sedelmeyer Gallery, Twelfth Hundred of Paintings by Old Masters, Paris 1913, p. 130 (84) (repr.);

W. Armstrong, Lawrence, 1913, pp. 64 and 147, plate XXV, as by Lawrence;

K. Garlick, Sir ThomasLawrence, London 1954, p. 44, as a repetition;

K. Garlick, 'A catalogue of the paintings, drawings and pastels of Sir Thomas Lawrence', in Walpole Society XXXIX, 1962-64, p. 113 (feels that the head may be from the Lawrence studio, but that judging from photographs, the rest may have been executed later in the 19th century);

K. Garlick, Sir Thomas Lawrence, a complete catalogue of the oil paintings, New York 1989, p. 214, under cat. no. 440.

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Galerie Sedelmeyer, Twelfth Hundred of Paintings by Old Masters, Paris, 1913, p. 130 (84) (repr.) ;

W. Armstrong, Lawrence, 1913, pp. 64 et 147, pl. XXV (comme Thomas Lawrence) ;

K. Garlick, Sir Thomas Lawrence, Londres, 1954, p. 44 (comme reprise) ;

K. Garlick, 'A catalogue of the paintings, drawings and pastels of Sir Thomas Lawrence', in Walpole Society XXXIX, 1962-64, p. 113 (mentionnant que le visage pourrait être de l'atelier de Lawrence, mais le reste semble, d'après photographie, dater du XIXe siècle ;

K. Garlick, Sir Thomas Lawrence, a complete catalogue of the oil paintings, New York, 1989, p. 214, sous le n°440.