The present tankard represents fanciful chinoiserie scenes typical of the work of J.G. Höroldt and his studio. The depiction of figures in canopied balconies either side of the cartouche is more uncommon, see the example formerly in the collections of the Hon. Evelena Rothschild and the Behrens Family and a private collection, sale Bonham’s, London, 22nd July 2020, lot 24 for a similar arrangement. See also the example in the Historische Museum, Bern, inv. no. 28127, published in Pietsch, U. (ed.), Triumph of the Blue Swords Meissen Porcelain from Aristocracy and Bourgeoisie 1710-1815, Dresden, 2010, cat. no. 64, p. 196, this example is also decorated with an elongated cartouche reminiscent of the present tankard. See den Blaauen, A., Meissen Porcelain in the Rijksmuseum, Amsterdam, 2000, no. 88, pp. 155-6 for a related example. Another from the Lesley & Emma Sheafer Collection is in the Metropolitan Museum of Art, New York, acc. no. 1974.356.484. For a dated example from the Irwin Untermyer Collection named, dated and inscribed for ANNA CHARITAS Roerzcubin gebohrne Schillingen/64.Johr/1724, see Hackenbrock, Y., Meissen and other Continental Porcelain Faience and enamel in the Irwin Untermyer Collection, London, 1956, fig. 143, pl. 95.