‘Zarina engineered special plexiglass molds into which she poured her paper slurry concoction. She brought color back into her work by adding rich earth pigments to the wet mixture - the resulting dry solid surface evokes the organic texture and patina of stone walls is especially reminiscent of the red sandstone walls of Fatehpur Sikri.’ (Excerpt from S. Burney, Playing with the Medium: Zarina’s Evolution as an Artist and Printmaker)
