117
117
余友涵
粉紅色拼成
估價
Premium Lots
In order to bid on "Premium Lots" you must complete the required Premium Lot preregistration application and deliver to Sotheby's such necessary financial references, guarantees, deposits and/ or such other security as Sotheby's may in its absolute discretion require, as security for your bid. Sotheby's decision whether to accept any pre-registration application shall be final. We recommend you contact Sotheby's at least 3 working days prior to the relevant sale in order to process the pre-registration, and please bear in mind that we are unable to obtain financial references over weekends or public holidays. If all lots in the catalogue are "Premium Lots", a Special Notice will be included to this effect and the paddle symbol will not be used.
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
8,000,00012,000,000
拍品已售 8,880,000 港幣 成交價 (含買家佣金)
前往
117
余友涵
粉紅色拼成
估價
Premium Lots
In order to bid on "Premium Lots" you must complete the required Premium Lot preregistration application and deliver to Sotheby's such necessary financial references, guarantees, deposits and/ or such other security as Sotheby's may in its absolute discretion require, as security for your bid. Sotheby's decision whether to accept any pre-registration application shall be final. We recommend you contact Sotheby's at least 3 working days prior to the relevant sale in order to process the pre-registration, and please bear in mind that we are unable to obtain financial references over weekends or public holidays. If all lots in the catalogue are "Premium Lots", a Special Notice will be included to this effect and the paddle symbol will not be used.
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
8,000,00012,000,000
拍品已售 8,880,000 港幣 成交價 (含買家佣金)
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拍品詳情

筆道 III: 抽象先鋒

|
香港

余友涵
粉紅色拼成
一九八七至一九八八年作
款識
余友涵
《粉紅色拼成》, 余友涵,1987-88(作品背面)
壓克力畫布
128 x 155 公分 ,50⅜ x 61 英寸
參閱狀況報告 參閱狀況報告

來源

比利時,ChinaToday 畫廊
現藏者購自上述來源

相關資料

「我希望我的創作和老子的觀點一樣,世界永遠是活的,是不斷變動的。」

余友涵


氣韻生動

余友涵是中國前衛藝術的開荒者,曾為國內抽象派開山劈石。正如在西方畫壇地位超然的皮耶·蒙德里安及傑克森·波拉克,余氏於中國畫壇亦同等重要。其作品《粉紅色拼成》以極簡圓形構成,並隨著目光游移而迴旋移動,猶如一幅攝人心魄的宇宙圖,是畫家享譽畫壇的抽象畫系列中技法超卓的典例。本作蘊藏無限活力,充滿節奏的短小筆觸緩緩溢出循環重疊的動向,若隱若現的視覺效果令人神迷目眩。《圓》系列對余友涵尤為重要,當中不但融入余氏的思想及美學,更表達畫家對社會、人生的哲學觀。他自言:「系列不僅僅想容納社會的縮影,更想表現自然與人的縮影。萬物都涵括在我的作品之中。」(引述自奧伯里斯特對余友涵的專訪,〈藝術界 LEAP〉,二〇〇九年)

余友涵一九七三年畢業於北京中央工藝美術學院,七十年代初,藝術氛圍壓抑,創意受到限制,他身為藝術學院的畢業生,大部分時間都在創作後印象派風景畫、靜物畫及肖像畫。然而他回憶道:「一九七八年後,我得以創作自己喜歡的藝術,所以我選擇繪畫無關政治並使我感到放鬆的事物。」一九八三年,余友涵在上海博物館欣賞到傑克森·波拉克的作品,這場邂逅鞏固了余友涵在繪畫中採用形式構圖的念頭,促使畫家於八十年代中葉開始創作獨樹一幟的圓形抽象作品。他先把一層稀釋過的黑色壓克力彩厚塗在未經打底的畫布上,然後隨意加上白色顏料。長短不一的色彩合奏成動人的交響曲,在漩渦中旋轉舞動,最後組合成為一個圓形。畫家隨心所欲的筆法令人聯想起中國水墨畫的寫意情調,但整體卻呈現西方抽象藝術視覺效果,兩者糅合在一起,使作品畫面發人深思,沉浸在純粹至上的光華中。

余友涵將直覺融合於形態結構之中,作品構圖既簡樸又複雜,亂中有序;畫作從具象與抽象兩者對立的局面中昇華,同時表達天人合一的理念。如此獨特的視覺概念源自當時道教對畫家的影響,根據畫家所言,這些抽象畫是「宇宙一切運動的自發和自由」 。(保羅·格拉斯頓〈余友涵〉3030Press, 35頁)點與線的厚度和長度不一,代表物質和精神世界浮動游移、循環不息的動態;畫家藉此將自己投入宇宙的無形力量和本質中。畫家自言:「我在八十年代開始捧讀老子的〈道德經〉。讀這本書的時候,書中的主要思想讓我深深著迷,使我深受啟發。我希望自己的創作能像老子的思想一樣。宇宙是活生生的,而且日新月異。如果精神上我有一個老師,那可能就是老子。」

余氏對作品的態度與西方藝術家不一樣,他堅拒銷毀或重畫自己的作品,反而選擇憑直覺將每一筆每一畫順其自然規律誕生。(保羅·格拉斯頓,〈余友涵〉,3030Press, 36頁) 保羅·格拉斯頓認為,余友涵的作品放在八十年代的中國「非常有挑戰性,令人無法迴避」(同上, 35頁);當時文化大革命破除舊習的意識仍然深烙在民眾的腦海中。愛德華·路斯·史密斯又指出余氏是「中國(經歷社會主義時期後)第一批擁有獨一無二的個人藝術語言的『西方風格』藝術家。」(愛德華·路斯·史密斯,〈余友涵〉,二〇〇六年)一九八九年二月,北京舉行一場極具意義的重要展覽「89現代藝術大展」,此展承接「八五美術新潮」餘風;余友涵的作品獲邀參與,足證他在中國抽象藝術發展歷程上的地位。九十年代初,余友涵憑著矚目的政治普普藝術創作,在國際藝術界迅速冒起。在往後十年,他參與過多場大型國際展覽,如一九九三年威尼斯雙年展;同時試驗一連串風格,包括政治普普藝術、具象表現繪畫、結合中國和西方技法和美感的風景畫。二〇〇年代中期,他回到政治普普藝術前的抽象創作,從豐富複雜的風格和文化經驗中煉成所謂「後西方」當代藝術 合中既具政治顛覆性,同時「氣韻生動」。余友涵的抽象畫按照萬物的自然規律流動,如森林的形成,讓宇宙的自然規律和流動指引他的藝術和對更美好世界的想像。

筆道 III: 抽象先鋒

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香港