FRANZ KOSLER | The Water seller, Cairo

The canvas has been strip-lined and is securely attached to a keyed wooden stretcher which appears to be of the period. There is a very minor surface scratch in the ground between the standing figures; however, this is not distracting to the naked eye. Inspection under ultra-violet light reveals some intermittent strokes of cosmetic retouching along the right framing edge and in the upper part of the left framing edge. Otherwise, the main composition appears to be untouched. This work is in good condition and is ready to hang. Presented in a decorative gilt frame with minor losses. Colours are somewhat brighter than in the printed catalogue.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The ornate stone carving depicted in the background is typical of the Mamluk period. Executed in a variety of patterns, including arabesques and geometrical designs, it is reminiscent of the façade of the madrasa of Mamluk Amir Khayrbak in Cairo.