SICILIAN, TRAPANI, FIRST HALF 17TH CENTURY, | Virgin and Child

Surface dirt overall, notably in the crevices, consistent with age and handling. There are a few chips to the high points in some places and along the edges of the base. There are two losses to the drapery on the Virgin's cloack, at her proper left knee level, another one to the base just below and a few small looses to the Christ's crown. A restored break is visible to the back of the base. Christ's head with a restored break and a joint visible to his neck. Some toes are partly missing to his proper left foot. Natural grey veining and inclusions are visible in some places, consistent with the material. Wear to the polychromy and to the gilding. Otherwise in overall quite good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Characteristic of Sicilian sculpture, this Virgin was carved after the model of a 14th century Madonna and Child, by Nino Pisano (Church of the Madonna, Trapani). A comparable ivory example is in the Victoria and Albert Museum, London (inv. no. 984-1907), and an alabaster with similar lavishly gilt ornaments, is in the National Art Museum of Catalonia, Barcelona (inv. no. 131161-000).