COSTANTINO LA BARBERA (1822-?), ITALIAN, 1850-1852, | Ferdinando II of Bourbon (1810-1859), King of the Two-Sicilys, and Maria-Theresa of Habsbourg-Lorraine-Teschen (1816-1867)

Minor dirt throughout the surface, notably in the crevices, consistent with age and handling. Natural inclusions are visible in some places on both busts, consistent with the material. There are a few chips to the high points in some places and to the edges of both busts and bases. There are minor chips to the proper right of Ferdinand's nose tip. There are two restored losses to the lower border of one base. Otherwise, in very good condition overall.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Beloved at the beginning of his reign, Ferdinand II reorganized his government and promoted the industrialization of his Kingdom. He had, however, to face the opposition of the Liberals and the first revolutionary riots that lead to the 1848 crisis and the rising of the Independentists. A long period of repression followed, forcing European leaders to take sides with Victor Emmanuel II. Ferdinand was disgraced and then wounded by one of his soldiers, on 8 December 1856.  A student of Valerio Villareale in Palermo and Pietro Tenerani in Rome, La Barbera portrayed the Bourbon family several times, including busts of Francisco II, son of Ferdinand II, and his wife, Maria Sofia Wittelsbach (Royal Palace of Caserta). At the fall of the Kingdom of the Two-Sicilys, the sculptor moved to Paris where he was first documented circa 1865 and last mentioned at the 1867 Salon, where he exhibited a bust.