拍品詳情
Félix Vallotton
1865 - 1925
ANÉMONES ET TANAGRA, 1920
來源
Paul Vallotton, Lausanne, no. 478
William Grenier, Lausanne (1920)
Galerie Vallotton, Lausanne, no. 6251 (1921)
Collection Baur-Champion, Lausanne (1923)
Galerie Potterat, Lausanne, 21st February 1979
Galerie Vallotton, Lausanne
Joachim Wyss, Zoug (1983)
Sotheby's Zurich, 10th December, 1996, lot 175
Private collection, Switzerland (purchased at the above sale by the present owner)
William Grenier, Lausanne (1920)
Galerie Vallotton, Lausanne, no. 6251 (1921)
Collection Baur-Champion, Lausanne (1923)
Galerie Potterat, Lausanne, 21st February 1979
Galerie Vallotton, Lausanne
Joachim Wyss, Zoug (1983)
Sotheby's Zurich, 10th December, 1996, lot 175
Private collection, Switzerland (purchased at the above sale by the present owner)
展覽
Galerie Vallotton, Lausanne, 1983, no. 28, p. 31
出版
Livre de raison, no. 1267
Marina Ducrey in collaboration with Katia Poletti, Félix Vallotton (1865-1925), L'oeuvre peint. Catalogue raisonné, Milan/Lausanne/Zurich, 2005, vol. III, p. 725, no. 1336, ill.
Marina Ducrey in collaboration with Katia Poletti, Félix Vallotton (1865-1925), L'oeuvre peint. Catalogue raisonné, Milan/Lausanne/Zurich, 2005, vol. III, p. 725, no. 1336, ill.
相關資料
In this pyramidal composition, Vallotton describes an Algerian scarf and a greek sculpture around the central motif of the anemones. In light of the title given by the artist, the orange seems to be a secondary element despite its strong presence as a key structure of the composition.
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