拍品 262
  • 262

CARLO CIGNANI | Joseph's dream, a modello

估價
30,000 - 40,000 USD
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描述

  • Joseph's dream, a modello
  • oil on canvas, en grisaille
  • 24 3/8  by 15 7/8  in.; 61.9 by 40.3 cm.

Condition

This canvas in unlined. There are tears to the paint surface and canvas in the mid-to-lower left region, on Mary's garment, measuring one inch long, and in the mid-to-lower right region, on Joseph's garment, measuring three inches long. Small areas of loss are visible to the naked eye in the upper right quadrant on the angel's garment, and scattered pin dots of loss throughout. A fold in the canvas is visible to the naked eye running down the right side of the painting, as well as a fold on the left side beginning at the top edge that stops in the middle. Under UV inspection, the areas of loss visible to the naked eye fluoresce unevenly due to repairs. No other areas of retouching are visible. The painting will certainly improve with restoration and varnish. Offered in a carved gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

This grisaille was created in preparation for Cignani’s altarpiece for the Church of San Filippo Neri in Forli, which was lost during the Napoleonic suppression. 18th-century art critic Francesco Algarotti noted that the artist was fond of his altarpiece and “often went to see it.”1 A copy now hangs in the church in Forli, and a second grisaille copy is in the Municipal Museum of Faenza. The original altarpiece was recorded in a drawing by Felice Giani now in the Municipal Gallery of Forli as well as an engraving by Benedetto Eredi (fig. 1).2 Cignani quoted the figure of the angel descending from the clouds from Caravaggio’s famous Martyrdom of St. Matthew in San Luigi dei Francesi, Rome, but demonstrated his individual style with the elegant, noble figures. 1. B.B. Fabbri, Carlo Cignani, Affreschi Dipinti Disegni, Bologna 1991, p. 212, no. 88
2.  Ibid.