拍品 174
  • 174

ATTRIBUTED TO CARLO SARACENI | Judith with the head of Holofernes

估價
40,000 - 60,000 USD
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描述

  • Carlo Saraceni and Studio
  • Judith with the head of Holofernes
  • oil on copper
  • 13 1/4  by 10 1/2 in.; 33.3 by 26.6 cm.

Condition

The following condition report has been provided by Simon Parkes of Simon Parkes Art Conservation, Inc. 502 East 74th St. New York, NY 212-734-3920, simonparkes@msn.com, an independent restorer who is not an employee of Sotheby's. This work on copper has not been restored for many years. The copper is flat. The work is noticeably dirty. The paint layer in the brown background and darkest colors of Judith's clothing has developed some instability and will need to be stabilized prior to cleaning. No retouches are apparent at present, and it seems that there are none of any note. If the paint layer is stabilized and cleaned, retouches would be required in the background in the upper right and in a few spots in the darker colors of Judith's green dress. Although the work is in need of restoration, the condition is very good overall.
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."

拍品資料及來源

Saraceni painted the popular subject of Judith with the head of Holofernes twice in his career, in two different compositions; both exist in numerous versions by the artist and his workshop.  The composition which the present painting follows shows Judith upright and turning to look straight at the viewer, with the head in her left hand and a sword in her right.  Her maid is just beyond her shoulder but still quite forward in the composition, lit brightly; both women wear colorful clothing, Judith with a jeweled hairpiece and brooches.  The colorful drapery is depicted in a classical and elegant manner, with the fabric in Judith's hair blowing beyond her.  The prime version, now in a private collection in Madrid1 was completed in the early 1610s, just after the death of Caravaggio. 




1. Oil on copper, 33 by 26 cm., see M.G. Aurigemma, Carlo Saraceni 1579-1620, Rome 2013, pp. 235-237, reproduced p. 236.