拍品 423
  • 423

SAMUEL PALMER, R.W.S | The End of the Day - Sunset

估價
20,000 - 30,000 GBP
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招標截止

描述

  • Palmer
  • The End of the Day - Sunset
  • Watercolour over pencil, heightened with bodycolour and scratching out; signed lower left: S. PALMER
  • 305 by 445 mm.
   

來源

Mrs Redmayne,
her sale, London, Christie's, 12 September 1941, lot 60, bt. The Fine Art Society (as Eastern Landscape - Sunset);
with the The Fine Art Society, London,
by whom sold, with the title Italian landscape, to the father of the present owner, 1941

出版

R. Lister, Catalogue Raisonné of the Works of Samuel Palmer, Cambridge 1988, p. 265, no. x3 (as Eastern Landscape - Sunset - untraced since 1941)

Condition

This work has remained well preserved. The colours are fresh and strong. The work is also very well presented.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

It has been suggested that this large watercolour, with its strong colours and rich layers of texture, dates to either the late 1850s or the early 1860s. The landscape, bathed as it is in a golden evening light, is idyllic and rather than representing a ‘real’ place, it combines topography that Palmer experienced on his tours of Italy (1837-40), Cornwall (1848 and 1857) and Devon (1848, 1849 and 1858). We would like to thank Colin Harrison for his help when cataloguing this work.