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拍品詳情

印象派及現代藝術日拍

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倫敦

Henri Matisse
1869 - 1954年
TÊTE DE FEMME (PORTRAIT DE SIMONE MARTIN-VINCENT)
signed H Matisse and dated 7/42 (lower left)
pen and ink on paper
52.5 by 40.5cm., 20 3/4 by 16in.
Executed in Nice in July 1942.
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The authenticity of this work has been confirmed by Wanda de Guébriant.

來源

Simone Martin-Vincent, Switzerland (a gift from the artist)
Thence by descent to the present owner

相關資料

A testimony to Matisse’s skills as a draughtsman, Tête de femme (Portrait de Simone Martin-Vincent), is characterised by spontaneous and confident lines, which imbue this portrait with an expressive elegance.

Executed in July 1942, at his residence at the Hôtel Régina in Nice, the present work forms part of a series of celebrated works that demonstrate Matisse's innate ability to capture the nuances of facial expression with only a deft few strokes.

The sitter for the present work is fashion model Simone 'Monette' Vincent, to whom Matisse was introduced the same month this work was completed. Drawing Simone on several occasions, Matisse warmed to her greatly and showed his appreciation by giving this portrait to her as a gift. Her smiling, assured expression reveals the intensity of Matisse's penetrating gaze. His sitters were ‘never just extras’ in an interior but rather the principal theme of the work: 'the emotional interest aroused in me by them does not appear particularly in the representation of their bodies, but often rather in the lines or special values distributed over the whole canvas or paper, which form its complete orchestration, its architecture' (quoted in John Elderfield, The Drawings of Henri Matisse, London, 1984, p. 117). The sinuous ink lines exhibit Matisse’s unfaltering touch; flowing intuitively and without interruption, they perfectly encapsulate her inclined head and natural gaze.

The work is an intimate observation of an individual, a charming portrait that captures a true sense of character. The image bears the hallmark of the artist’s brevity of emphatic line, successfully depicting Simone’s glinting eyes, wavy hair and pleasant smile. Matisse viewed the art of portraiture as one of the most remarkable art forms and he is widely regarded as one of the twentieth century’s most innovative and gifted draughtsman.

印象派及現代藝術日拍

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倫敦