- 333
GEORGES BRAQUE | Vase, prunes et couteau
估價
250,000 - 350,000 USD
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招標截止
描述
- Georges Braque
- Vase, prunes et couteau
- Signed G Braque and dated 25 (lower left)
- Oil and sand on canvas
- 12 1/4 by 25 1/2 in.
- 31.1 by 64.8 cm
- Painted in 1925.
來源
Galerie Jeanne Bucher, Paris
Mary S. Higgins, Worcester (and sold by the estate: Parke-Bernet Galleries, New York, April 10, 1971, lot 18)
Stephen Hahn Gallery, New York (acquired at the above sale)
Acquired from the above
Mary S. Higgins, Worcester (and sold by the estate: Parke-Bernet Galleries, New York, April 10, 1971, lot 18)
Stephen Hahn Gallery, New York (acquired at the above sale)
Acquired from the above
展覽
Paris, Galerie Paul Rosenberg, Oeuvres de Braque, 1926, n.n.
Cambridge, Cambridge Art Association, 1952 (on loan)
Worcester, Worcester Art Museum, 1967 (on loan)
Montreal, Musée d’art contemporain de Montréal, L'Oeil du collectionneur, 1996-97, n.n., illustrated in the catalogue
Cambridge, Cambridge Art Association, 1952 (on loan)
Worcester, Worcester Art Museum, 1967 (on loan)
Montreal, Musée d’art contemporain de Montréal, L'Oeil du collectionneur, 1996-97, n.n., illustrated in the catalogue
出版
Georges Isarlov, Catalogue des oeuvres de Georges Braque, Paris, 1932, no. 377
Galerie Maeght, ed., Catalogue de l’oeuvre de Georges Braque: Peintures 1924-1927, Paris, 1968, illustrated pl. 56
Massimo Carrà, Tout l’oeuvre peint de Braque, 1908-1929, Paris, 1973, no. 274, illustrated pl. 98
Karen Thomson, ed., The Blema and H. Arnold Steinberg Collection, Montreal, 2015, no. 9, illustrated in color p. 18
Galerie Maeght, ed., Catalogue de l’oeuvre de Georges Braque: Peintures 1924-1927, Paris, 1968, illustrated pl. 56
Massimo Carrà, Tout l’oeuvre peint de Braque, 1908-1929, Paris, 1973, no. 274, illustrated pl. 98
Karen Thomson, ed., The Blema and H. Arnold Steinberg Collection, Montreal, 2015, no. 9, illustrated in color p. 18
Condition
This work is in excellent condition. The canvas is unlined. There is a slight undulation in the extreme lower right corner. Under UV light: no inpainting is apparent.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
“I would find it hard to say whether Braque is the most inventive or versatile artist of our time. But if the great painter is the one who gives at once the most acute and the most nourishing idea of painting, then without doubt it is Braque who I take as master.”
—Jean Paulhan in Braque le patron, 1947, quoted in Alex Danchev, Georges Braque, A Life, New York, 2005, pp. 153-54
—Jean Paulhan in Braque le patron, 1947, quoted in Alex Danchev, Georges Braque, A Life, New York, 2005, pp. 153-54