拍品 210
  • 210

CÂNDIDO PORTINARI | Menina

估價
120,000 - 180,000 USD
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招標截止

描述

  • Cândido Portinari
  • Menina
  • Signed Portinari and dated 944 (upper right) 
  • Oil on canvas
  • 28 3/4 by 23 5/8 in.
  • 73 by 60 cm
  • Painted in 1944.
Huile sur toilesigné et daté en haut à droite

來源

Private Collection, South America (acquired from the artist)
Thence by descent 

出版

Danuza Leão, "De Paris: Talon haut," in Jornal do Brasil, June 15, 1998, discussed n.p.
João Cândido Portinari, et al., Cândido Portinari Catálogo Raisonné, vol. II, Rio de Janeiro, 2004, no. 2073 [FCO 3746], illustrated in color p. 470

Condition

This work may have never been restored or cleaned. It is very loosely stretched on its stretcher, and there are visible waves to the surface running horizontally throughout the work. There are some horizontal cracks in the forehead and in the hair, and across the center corresponding with the crossbar of the stretcher. There is one paint loss beneath the blue diamond shape in the center of the right side, and another small scratch on the upper right edge. There is another small loss in the hair in the upper center about 1 1/2 inches from the top edge. It is recommended that the work be relaxed and consolidated in order to lessen the waves and raised cracking, but the condition is very good overall.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

“I know of no greater tribute to the compelling sensuous loveliness of Portinari’s art than the annihilation of the reasoning and critical faculties of the mind which, I believe, all undergo on seeing it. Color, and all that that in terms of harmony and dissonance and light and dark involves, is there; and all that light and shade and color make: a world of living beings… The world of Portinari: as compelled by it, in thought, we move about in it, with wonder…” Rockwell Kent, Portinari: His Life and Art, Chicago, 1940, p. 7