LUMIÈRES: THE LEVY FAMILY COLLECTION
Henri Fantin-Latour
NARCISSES, GIROFLÉES ET PRIMEVÈRES
拍品詳情
印象派及現代藝術日拍
|
紐約
紐約
Henri Fantin-Latour
1836-1904年
NARCISSES, GIROFLÉES ET PRIMEVÈRES
Signed Fantin. and dated 81 (upper left)
Oil on canvas
14 7/8 by 11 1/2 in.
37.7 by 29.2 cm
Painted in 1881.
參閱狀況報告
參閱狀況報告
Oil on canvas
14 7/8 by 11 1/2 in.
37.7 by 29.2 cm
Painted in 1881.
This painting will be included in the catalogue raisonné of Fantin-Latour’s paintings and pastels by Galerie Brame & Lorenceau now in preparation.
來源
Mrs. Edwin Edwards, London
Mitchell Galleries, London
Newman Collection, London
Arthur Tooth & Sons, Ltd., London
Artemis, S.A., Paris
Mr. Arnold & Mrs. Frannie Askin, New York
E.V. Thaw & Co., New York
Acquired from the above on June 18, 1979
Mitchell Galleries, London
Newman Collection, London
Arthur Tooth & Sons, Ltd., London
Artemis, S.A., Paris
Mr. Arnold & Mrs. Frannie Askin, New York
E.V. Thaw & Co., New York
Acquired from the above on June 18, 1979
展覽
Glasgow, Ian Mac Nicol, Fantin Latour, 1950, no. 14
Dallas, Dallas Museum of Art, 1979 (on loan)
Dallas, Dallas Museum of Art, Impressionist and Modern Masters in Dallas: Monet to Mondrian, 1989, no. 35, illustrated in the catalogue
Dallas, Dallas Museum of Art, 1979 (on loan)
Dallas, Dallas Museum of Art, Impressionist and Modern Masters in Dallas: Monet to Mondrian, 1989, no. 35, illustrated in the catalogue
出版
Madame Fantin-Latour, Catalogue de l'oeuvre complet de Fantin-Latour, Paris, 1911, no. 1026
相關資料
The first owner of this painting was a wealthy English woman. She and her husband became close friends with the artist and his principal dealers in Britain, promoting his still lifes with particular success. Mr. Edwards began his professional life as a lawyer but was a keen painter and etcher and debated mid-career whether to abandon the law and devote himself to art entirely. His wife was less hesitant .While her husband was on an overseas trip she sold his office without telling him. Edwards became proficient in his new occupation and was encouraged by James McNeil Whistler, an artist who had an important influence on Fantin-Latour. The Edwards are best remembered for the support they offered the young French artist. Their double-portrait by Fantin-Latour hangs in the National Gallery in London. Mr. Edwards died in 1879, before the present work was painted, but Mrs. Edwards maintained business relations with Fantin-Latour until 1899.
推薦拍品
印象派及現代藝術日拍
|
紐約
紐約
