- 67
A KAKIEMON DISH EDO PERIOD, LATE 17TH CENTURY |
估價
15,000 - 20,000 GBP
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招標截止
描述
- 25.5cm cm., 10 in.
of octagonal form decorated in iron-red, green blue and black enamels and gilt, with design of Sima Guang resucing his drowning companion from a water jar, the wide rim with karakusa and flowerheads
Condition
- A very minor enamel rubbing as can be seen in the illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
the scene depicts the historian and statesman of the Song dynasty Sima Guang (1019–1086) rescuing his drowning friend from a larger jar, throwing stones to break it. The story was popular in the seventeenth century and Meissen reproduced the pattern in around 1730. The English Chelsea factory produced the pattern, becoming known as “Hob in the Well” around 1755. For other Kakiemon-style, Meissen and Chelsea octagonal dishes see Nagatake Takeshi, Yabe Yoshiaki and Minamoto Hiromichi, eds., Kakiemon no sekai: genryu kara gendai made (Exhibition of the world of Kakiemon: from its origins to the present), exh. cat. (Tokyo, 1983), pls. 148–50.
John Ayers et al., Porcelain for Palaces: The Fashion for Japan in Europe 1650–1750, exh. cat. (London, Oriental Ceramic Society and British Museum, 1990), pls. 122, 192, and 193.
For a circular dish fired in Japan and enamelled in the Netherlands see Charlotte Rappard-Boon et al. Imitation and Inspiration: Japanese Influence on Dutch Art From 1650 to the Present (Amsterdam, Rijksmuseum, 1992), pl. 15.
For other Japanese examples see: Soame Jenyns, Japanese Porcelain (London, 1965), no. 76c; Alexandra Munroe and Naomi Noble Richards, eds., The Burghley Porcelains, exh. cat. (New York: Japan Society, Inc., 1986), pl. 100.
John Ayers et al., Porcelain for Palaces: The Fashion for Japan in Europe 1650–1750, exh. cat. (London, Oriental Ceramic Society and British Museum, 1990), pls. 122, 192, and 193.
For a circular dish fired in Japan and enamelled in the Netherlands see Charlotte Rappard-Boon et al. Imitation and Inspiration: Japanese Influence on Dutch Art From 1650 to the Present (Amsterdam, Rijksmuseum, 1992), pl. 15.
For other Japanese examples see: Soame Jenyns, Japanese Porcelain (London, 1965), no. 76c; Alexandra Munroe and Naomi Noble Richards, eds., The Burghley Porcelains, exh. cat. (New York: Japan Society, Inc., 1986), pl. 100.