拍品 84
  • 84

A LOUIS XVI GILT-BRONZE MOUNTED SATINÉ COMMODE, CIRCA 1780, BY ROGER VANDERCRUSE SAID LA CROIX |

估價
20,000 - 30,000 EUR
招標截止

描述

  • Haut. 88 cm, larg. 114 cm, prof. 57 cm ; height 34 2/3 in., width 45 in., depth 22 1/2 in.
the brèche d'Alep marble top above the slightly breakfront facade opening with five drawers on three ranks, on square tapered legs; stamped RVLC and JME under the marble top

Condition

The photograph is slightly too orange. The timber of the satiné has a much darker and warmer color. The veneer was fully restored. The gilt bronze mounts were cleaned up and the gilding slightly retouched in places. The marble top broken and restored. Nice piece of furniture in good overall restored condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Roger Vandercruse dit La Croix, received master in 1755From the 1770s, La Croix began to use more and more mahogany and satiné veneer, instead of marquetry, such as on our commode. The gilt-bronze ornements, reduced to the minimum, enhanced the beauty and the brightness of the veneer (see C. Roinet, Roger Vandercruse dit La Croix, Paris, 2000, p. 102).
One must also notice the défoncés on the upper drawers and the legs, to make the light shine on the different surfaces. Lastly, the square tapered legs can be pointed in La Croix's works under Louis XVI, as the pair of commodes made for the comte d'Artois at Compiègne (see C. Roinet, op. cit., p. 83, fig. 30).