- 59
ÉMILE GALLÉ | Vase
估價
30,000 - 50,000 EUR
Log in to view results
招標截止
描述
- Émile Gallé
- Vase
- Signed Gallé on the vase, stamped CARDEILHAC PARIS A, with silversmith's mark on the underside of the mount, dedicated and dated A Mr TAIGNY 1901 and with silver mark on the mount
- Height : 15,3 cm ; 6 in.
- the vase executed in 1900, the mount executed in 1901
glass, marqueterie-sur-verre, applied beads ; silver, coral and ivory mount by Lucien Bonvallet for Cardeilhac
來源
Collection Edmond Taigny, Paris, acquired circa 1900 and thence by descent
展覽
Paris, Exposition Universelle, 1900
出版
Emile Nicolas, "M. Emile Gallé à l'Exposition de 1900", La Lorraine, February 1901, illustrated p. 53 without its mount
Maurice Demaison, "Les Montures de Vases", Art et Décoration, July-December 1902, illustrated p. 206
Alastair Duncan and Georges de Bartha, Glass by Gallé, London, 1984, illustrated p. 92 without its mount
Alastair Duncan, The Paris Salon, 1895-1914, Volume IV : Ceramics & Glass, Woodbridge, 1998, illustrated p. 220
Anne Gros, "Les vases de Sèvres et de Gallé montés par Cardeilhac, Arts du feu et orfèvrerie autour de 1900", Sèvres, Revue de la Société des Amis du Musée national de Céramique, n. 26, 2017, p. 129, ill. 11 for a sketch of the vase and its mount by Lucien Bonvallet
Maurice Demaison, "Les Montures de Vases", Art et Décoration, July-December 1902, illustrated p. 206
Alastair Duncan and Georges de Bartha, Glass by Gallé, London, 1984, illustrated p. 92 without its mount
Alastair Duncan, The Paris Salon, 1895-1914, Volume IV : Ceramics & Glass, Woodbridge, 1998, illustrated p. 220
Anne Gros, "Les vases de Sèvres et de Gallé montés par Cardeilhac, Arts du feu et orfèvrerie autour de 1900", Sèvres, Revue de la Société des Amis du Musée national de Céramique, n. 26, 2017, p. 129, ill. 11 for a sketch of the vase and its mount by Lucien Bonvallet
Condition
Good overall condition. The surface presents with scattered light scratches, more significant around the mount and most likely inherent to the application of the mount. There is a hairline crack within the glass, on the back of the vase, between a glass shell and the mount, visible upon close inspection. The mount presents with some light oxidation on the silver and the vermeil and the ivory turned very slightly yellow overtime. All consistent with age and use.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
We would like to thank Mrs Anne Gros for her assistance with the cataloguing of this lot.