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JOHN MCCRACKEN | Plume
估價
80,000 - 120,000 USD
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招標截止
描述
- John McCracken
- Plume
- incised with the artist's signature, title and date 2002 on the underside
- polyester resin and fiberglass on plywood
- 92 by 16 1/8 by 4 1/4 in. 233.7 by 41 by 10.8 cm.
來源
L.A. Louver, Venice, California
Acquired from the above by the present owner in May 2004
Acquired from the above by the present owner in May 2004
Condition
This work is in very good and sound condition overall. The surface is clean and smooth. There is light evidence of handling and wear, most notably at the lower posterior edge, where a fine network of surface abrasions are visible. Under very close inspection and raking light, there are scattered, extremely minor and faint superficial abrasions visible to the surface. On the underside, there is adhesive residue with associated soiling and dust accretions visible.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
"McCracken saw the leaning pieces as existing 'between worlds,' not only linking floor (the realm of sculpture) and wall (painting), but also matter and spirit, and body and mind." Roberta Smith, "John McCracken, Sculptor of Geometric Forms, Dies at 76," in: The New York Times, 10 April 2011, online
Vibrant, expressive and refined, the collection of Dr. David Sanders and Prof. Jesse Dukeminier comprises a diverse group of paintings, sculptures and works on paper by the foremost minds in abstraction. The works in the collection are a testament to the power of color and form, their capacity to communicate complex theories and concepts, and their vital function as sources of inspiration and delight.
Ranging from intimately scaled works on paper, such as the gestural and tempestuous drawing by Joan Mitchell, to works which are exemplars of their respective creator’s oeuvres, such as John McCracken’s Plume, the artworks in the collection tell the story of postwar abstraction. Devoted to the arts, Dr. Sanders and Prof. Dukeminier built their house around their collection and loved to share it with their large circle of friends. Dr. Sanders and Prof. Dukeminier lived with a Californian sensibility, which made them open to new experiences and welcoming to others who, like themselves, came to California from diverse backgrounds. They are remembered for their love and generosity for the city of Los Angeles, its institutions and the LGBT community. Together, the works in the collection provide a window into their unique sense of passion and purpose, enduring as a record of postwar abstraction as filtered through their singular point of view.
Vibrant, expressive and refined, the collection of Dr. David Sanders and Prof. Jesse Dukeminier comprises a diverse group of paintings, sculptures and works on paper by the foremost minds in abstraction. The works in the collection are a testament to the power of color and form, their capacity to communicate complex theories and concepts, and their vital function as sources of inspiration and delight.
Ranging from intimately scaled works on paper, such as the gestural and tempestuous drawing by Joan Mitchell, to works which are exemplars of their respective creator’s oeuvres, such as John McCracken’s Plume, the artworks in the collection tell the story of postwar abstraction. Devoted to the arts, Dr. Sanders and Prof. Dukeminier built their house around their collection and loved to share it with their large circle of friends. Dr. Sanders and Prof. Dukeminier lived with a Californian sensibility, which made them open to new experiences and welcoming to others who, like themselves, came to California from diverse backgrounds. They are remembered for their love and generosity for the city of Los Angeles, its institutions and the LGBT community. Together, the works in the collection provide a window into their unique sense of passion and purpose, enduring as a record of postwar abstraction as filtered through their singular point of view.