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重要知名歐洲收藏

馬克・羅斯科
《紅色上的藍》
估價
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
25,000,000 — 35,000,000
美元
拍品已售 26,461,000 美元 成交價 (含買家佣金)
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26

重要知名歐洲收藏

馬克・羅斯科
《紅色上的藍》
估價
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
25,000,000 — 35,000,000
美元
拍品已售 26,461,000 美元 成交價 (含買家佣金)
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拍品詳情

當代藝術晚拍

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紐約

馬克・羅斯科
1903 - 1970年
《紅色上的藍》
款識：藝術家簽名並紀年1953（背面）
油彩畫布
64 x 35英寸；162.6 x 88.9公分
參閱狀況報告 參閱狀況報告

來源

哈羅德・戴蒙德，紐約（1957年直接購自藝術家本人）

伊斯雷爾與塞爾瑪・羅森，巴爾的摩（1957年12月購自上述藏家）

紐約佳士得，2005年11月8日，拍品編號48（由上述藏家委託）

佩斯・維登斯坦畫廊，紐約

現藏家於2007年購自上述畫廊

展覽

巴爾的摩，巴爾的摩藝術博物館，「本地收藏之美國當代藝術」，1958年10月至11月

出版

《塞爾瑪與伊斯雷爾・羅森收藏》，紐約，1986年，無頁數，載圖

大衛・安法姆，《馬克・羅斯科：油畫作品專題目錄》，紐黑文及倫敦，1998年，頁85載彩圖（局部），頁372品號488載彩圖

相關資料

Fig. 1

The artist in his studio on West 53rd Street in New York, 1952

Kay Bell Reynal, Archives of American Art, Smithsonian Institution

Artwork © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
Fig. 2

Titian, Assumption of the Virgin, 1518

Image © S. Maria Gloriosa dei Frari, Venice, Italy / Scala / Art Resource, NY
Fig. 3

Mark Rothko

No. 61 (RUST AND BLUE) {BROWN, BLUE, BROWN ON BLUE}, 1953

115¾ x 91½ in.

The Museum of Contemporary Art, Los Angeles
Fig. 4

Mark Rothko

No. 7 (GREEN AND MAROON), 1953

91⅛ x 54⅞ in.

The Phillips Collection, Washington, D.C.
Fig. 5

Mark Rothko

No. 2 (BLUE, RED AND GREEN) {YELLOW, RED, BLUE ON BLUE}, 1953

81 x 67 in. 

Private Collection, New York
Fig. 6

Mark Rothko

No. 3 {No.1}, 1953

68 x 54 in.

The Metropolitan Museum of Art, New York

Promised Gift of Muriel Kallis Steinberg Newman
Fig. 7

Mark Rothko 

No. 10 {UNTITLED}, 1952-1953

117¾ x 173¾ in. 

Guggenheim Museum, Bilbao
Fig. 8

Mark Rothko

No. 4 {YELLOW, BLACK, ORANGE ON YELLOW/UNTITLED}, 1953

106 x 50⅞ in.

Whitney Museum of American Art, New York
Fig. 9

Mark Rothko 

UNTITLED (PAINTING), 1953-1954

104⅝ x 117⅜ in. 

The Art Institute of Chicago
Fig. 10

Mark Rothko

No. 14/No. 10 (YELLOW GREENS), 1953

76¾ x 67¾ in.

Frederick R. Weisman Foundation, Los Angeles
Fig. 11

Mark Rothko

No. 8 (LILAC AND ORANGE OVER IVORY {ORANGE AND LILAC OVER IVORY}, 1953

117½ x 91½ in.

Hood Museum of Art, Dartmouth College
Fig. 12

Mark Rothko

HOMAGE TO MATISSE, 1953-1954

105⅝ x 51 in.

Private Collection
Fig. 13

Mark Rothko

UNTITLED {VIOLET, BLACK, ORANGE ON GRAY}, 1953

76¾ x 67¾ in.

National Gallery of Art, Washington, D.C. 
Fig. 14

Mark Rothko

UNTITLED {RED, BLACK, ORANGE, YELLOW ON YELLOW}, 1953

93⅞ x 47⅞ in.

Walker Art Center, Minneapolis
Fig. 15

Mark Rothko

UNTITLED {PURPLE, WHITE AND RED}, 1953

77⅝ x  82 in.

The Art Institute of Chicago
Fig. 16

Mark Rothko

No. 20 (YELLOW EXPANSE) {UNTITLED}, 1953

117 x 175 in. 

Formerly in the Collection of Mrs. Paul Mellon
Fig. 17

Claude Monet, The Parliament in London, Stormy Sky, c. 1904

Palais des Beaux Arts, Lille, France

Image © Erich Lessing / Art Resource, NY
Fig. 18

Philip Guston, Painting, 1954

Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Art © 2019 The Estate of Philip Guston, Courtesy Hauser & Wirth
Fig. 19

Henri Matisse, The Blue Window, 1913

Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Art © 2019 Succession H. Matisse / Artists Rights Society (ARS), New York
Fig. 20

Henri Matisse, The Red Studio, 1911

Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Art © 2019 Succession H. Matisse / Artists Rights Society (ARS), New York
Fig. 21

Vincent van Gogh, Landscape with Wheat Sheaves and Rising Moon, 1889

Image © Rijksmuseum Kroeller-Mueller, Otterlo, The Netherlands / Erich Lessing / Art Resource, NY
Fig. 22

Franz Kline, Orange and Black Wall, 1959

Image © Museum of Fine Arts, Houston, Texas, USA / Bequest of Caroline Wiess Law / Bridgeman Images

Art © 2019 The Franz Kline Estate / Artists Rights Society (ARS), New York 

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當代藝術晚拍

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