拍品 501
  • 501

CHRISTOPHER WOOL | Three Women (Medium I, II, III)

估價
200,000 - 300,000 USD
Log in to view results
招標截止

描述

  • Christopher Wool
  • Three Women (Medium I, II, III)
  • each signed, respectively titled I, II, III, dated 2005 and numbered hc 2/2
  • screenprints in colors on Saunders Watercolor paper, in 3 parts
  • each: 81 1/8 by 49 7/8 in. 206.1 by 126.7 cm.
  • Executed in 2005, this work is hors commerce number 2 from an edition of 9, plus 3 artist's proofs and 2 hors commerce.
The complete set of three screenprints in colors, 2005, each signed in pencil, dated and consecutively inscribed 'I', 'II' and 'III' and 'hc 2/2', an hors commerce set aside from the numbered edition of nine plus three artist's proofs, on Saunders Watercolor paper, framed (3 prints)

來源

Private Collection
Phillips, New York, 21 April 2015, Lot 52
Acquired from the above sale by the present owner

展覽

New York, Petzel Gallery, Door Cycle, June - August 2007

Condition

These works are in very good condition overall. The works have not been examined outside of the frame. The lateral edges of the sheets are deckled. There are slight undulations to all three sheets, which possibly correspond to the hinges, most noticeable along the edges.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

“The resolutory even effect of the silkscreen process and the attendant possibility of layering multiple screenings allowed Wool to create dense strata of imagery without any formal element gaining special prominence.” Katherine Brinson in Exh. Cat., New York, Solomon R. Guggenheim Museum, Christopher Wool, 2014, p. 43