- 467
PETER CAIN | Omega
估價
40,000 - 60,000 USD
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招標截止
描述
- Peter Cain
- Omega
- signed, titled and dated 1994 on the reverse
- oil on linen
- 67 by 51 1/8 in. 170.2 by 129.9 cm.
來源
Matthew Marks Gallery, New York
Private Collection
Acquired from the above by the present owner
Private Collection
Acquired from the above by the present owner
展覽
New York, Matthew Marks Gallery, Peter Cain, Paintings, Drawings, Photographs, March - April 1995
New York, Matthew Marks Gallery, Peter Cain, More Courage and Less Oil, October - November 2002, pl. 13, illustrated in color
New York, Matthew Marks Gallery, Peter Cain, September - October 2016
Los Angeles, Matthew Marks Gallery, Peter Cain, June - September 2017, pp. 97 and 152, illustrated in color
New York, Matthew Marks Gallery, Peter Cain, More Courage and Less Oil, October - November 2002, pl. 13, illustrated in color
New York, Matthew Marks Gallery, Peter Cain, September - October 2016
Los Angeles, Matthew Marks Gallery, Peter Cain, June - September 2017, pp. 97 and 152, illustrated in color
出版
Jerry Saltz, "Carpe Diem." The Village Voice, 23 October 2002, p. 67, illustrated in color
Condition
This work is in very good condition overall. There is evidence of minor wear and handling to the edges, including minimal hairline cracking along the edges. There is evidence of very minor cracking to the light green pigment in the upper left quadrant. Under Ultraviolet light inspection, there is a three inch vertical area of hairline inpainting that fluoresces darkly. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
"Cain would start with a magazine ad, cut it up, and collage it back together, removing sections of an automobile and refashioning the remains into a fantastical, if all but functionless, new model. For all the distortions he wrought on them, Cain’s cars rarely seem as though they have been violently severed from a larger whole. Nor do they ever look dented, bruised, or demolished, in the manner of a John Chamberlain sculpture. Cain’s recombinant machines appear instead as gleaming objects complete in themselves, newfangled automotive mutants or hybrids beckoning our visual attention." Richard Meyer, "The Last of Peter Cain" in Beau Rutland et. al., Peter Cain, New York 2017, p. 129